Thursday 23 April 2015

Interviews with Edmonton-area Writers

Now with the launch set for the Between the Shelves launch--May 6, Stanley Milner Library,  7 pm--it's time to get to know a few  of the contributors better.

Friday 10 April 2015

Brad OH Inc

Brad OH Inc. is a person/corporation who has contributed to Between the Shelves. Below is Hal J. Friesen's interview with him.

Brad OH Inc. is a thought conglomerate consisting primarily of Brad OH, who is based out of Edmonton, Alberta. Brad OH has a background in psychology, with a philosophy minor. Brad OH Inc. writes with the intention of entertaining, while drawing attention to a variety of social and interpersonal quandaries. The Brad OH Inc. blog can be found at http://bradohinc.com, and includes both posts and short stories, as well as information about his upcoming novel, Edgar’s Worst Sunday.

1. First things first: do you believe that people should be Corporations as well as vice versa?

BRAD OH INC: That’s a great line of inquiry, and we here at Brad OH Inc. are thrilled to see your appreciation for such crucial issues. Really though, we think this may be two questions, and therefore we would be remiss to provide any less than two answers.

I’ll answer the second first, as it’s the easier answer. Let it be abundantly clear that the question of whether or not Corporations are people is no question at all: just ask Mitt Romney! If you ignore the blathering after his key statement, we believe the point is made abundantly clear. But if you need it better articulated, you’ll find it here.

Yes, there can be no doubt whatsoever that Corporations are not only people, but they are the very best of people. They are the creators and providers, they are the ones who inspire and build where others only talk and dream. This of course leads us to your other, more relevant question. Namely: Should people be Corporations?

This too is an easy answer—although again it requires some clarification…perhaps even a moderate touch of filibustering. Specifically, we need to discuss the word ‘should’. If we’re to take it in its proper sense, then we can say at the least that all people should endeavour to be Corporations, even if they will not all be able to achieve it. Obviously, people should strive to be their very best. Corporations are the best possible expression of humanity, and therefore we would encourage every person to strive to grow into a Corporate person. The benefits alone are outstanding: tax breaks, immortality, and utterly no risk from bankruptcy just to name a few.

Now, you may expect me to quote Ayn Rand here, but I’ll do you one better. In ‘The Republic’, Plato encourages a group of enlightened elites to lead the demos. What better expression of an enlightened elite than the Corporation? Our goals, clearly, are more evident and better pursued than the fickle worries of ordinary humans. That alone should suffice to illuminate the pressing need for Corporate leadership. Therefore, it behooves us here at Brad OH Inc. to encourage all basic people to aspire to greater accomplishments—namely, becoming Corporate. After all, an increase in Corporate presence is the highest hope for humanity…at least until we can achieve the end-goal of Corporate Suffrage.

2. Have you or any members of Brad OH Inc ever had any embarrassing moments in a library? Any responses will be strictly off the record.

BRAD OH INC: Here at Brad OH Inc., we hold ourselves to the highest possible standards of behaviour. Furthermore, we have a team of legal professionals on call at all times, ready to denounce responsibility for any perceived transgressions; so that clearly precludes the possibility of any officially acknowledged embarrassment.

With that out of the way, there is one incident we recall that may fit your need to publically deride the creative origins of our Corporate-Personhood. When we were just a young Corporate Human, we were reading aloud at a public library to a table of peers. Our chosen book was something about ‘Gnus’—those abominable animals that can’t quite decide what they are. The entire point of the book was that the word ‘Gnu’ sounds just like ‘new’ and ‘knew’, however this point was missed on our still developing phonetic-mandates. Therefore, we pronounced the word ‘Gnu’ as ‘Ga-noo’—entirely destroying the already limited humour of the book, and causing us significant lasting shame.

3. Is Neve inspired by a member of Brad OH Inc?

BRAD OH INC: Yes in fact, very astute of you to see this. There was a young girl we kept down in the copy room, from whom the name and likeness of the titular character are entirely derived. Have no fear however, the process was entirely by the books.

You see, Neve owned a small rat named Clarice, who one day managed to saw through one of the printer cables with its savage little teeth. Neve’s salary was insufficient to pay for the damages, and so, mercifully, we here at Brad OH Inc. appropriated her legal name and likeness, knowing well that we’d sooner or later find some way for it to pay off her debt. The story in this anthology is the fulfillment of that debt.
Neve has since been terminated.

4. At what point in your own reading development did you move like Neve away from purely “happy” stories?

BRAD OH INC: Looking back, we’d have to say that happened pretty early. Certainly, there were a number of happy-go-lucky stories read to us before we were officially granted our Corporate-Sovereignty, but even then, some of our earliest official recollections involve having ‘The Hobbit’ and ‘The Lord of the Rings’ read aloud to us—and those are bitter-sweet at best.

If you’re at all familiar with our efforts—which you certainly should be—you’ll know that creation and meaning are imperative to the purposes of Brad OH Inc. To that end, we’ve found that simple, happy stories do little to address the questions so essential to the human/ Corporate experience. It’s through struggle that we grow…and heedless expansion is one of the key goals of Brad OH Inc.

5. Which Corporation has had the greatest inspiration on Brad OH Inc.’s mission statement?

BRAD OH INC: That’s an interesting question. As far as our Corporate structure is concerned, we’ve worked hard to emulate all the greats: Enron, Lehman Brothers, JPMorgan Chase…all the essentials.
As far as our personal, creative goals, you probably already know that our Corporate Summary Statement is:  ‘A thought conglomerate founded on the fundamental imperative of expounding erratically extreme philosophic tenets firmly grounded in hubristic narcissism.’ …it doesn’t get much more clear than that!
As for companies that inspire us on these grounds, the best example is probably Psychopathic Records. The self-founded label of the Insane Clown Posse, this label has succeeded not just in developing them from a tiny local rap act in metro-Detroit, but into an international force to be reckoned with. Their dedication to the absurd has helped launch countless acts throughout their existence, and their passion for ethical-provocation and philosophical exploration is admirable. At Brad OH Inc., we hope to be as successful in providing such varied, yet philosophically consistent material.

-Brad OH Inc.

Check out Brad OH Inc’s story “Neve Uncovers the Ultimate Truth of All Things” in Between the Shelves, available now on Amazon and Createspace!

Wednesday 1 April 2015

Creepy (to self-conscious me) vanity post of an interview with me

Between the Shelves' series of interviews by Hal J. Friesen with contributors continues with an interview with me.
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Vivian Zenari lives, works and writes in Edmonton.

1. What is your educational background, and how has that influenced your writing?

VZ: I have a PhD in English literature with a specialization in 19th century American literature. I am sure my training has influenced my writing, though I am not sure how. Many of the writers I admire are from the nineteenth and early twentieth centuries; perhaps it’s more like I have tried to work in fields that reflect my interest in reading and writing.

2. Who has inspired you as a writer? Why are avant-garde authors so important to you?

VZ: These days I like Henry James (always), Flannery O’Connor, Rawi Hage, George Eliot, and the usual modernist suspects (Virginia Woolf, Ernest Hemingway, Edith Wharton). I just finished reading Sean Michaels’s Us Conductors and loved/admired that. I like the absurdists like Franz Kafka and Nikolai Gogol and postmodernists like Don DeLillo and Paul Auster. I admire writers who take chances, I suppose. I like the idea of transcending tradition in form as well as content.  As well, as a reader and writer I am a bit jaded, perhaps, so it takes a lot to stimulate me.

3. Did you have a personal interest in Dewey before you began this short story? Why did you decide to feature him in your story?

VZ: I have training as a librarian as well, and so I have been familiar with him as a figure in library studies history. I have always found him to be a hilariously awful person. Once I read more about him, my appreciation/contempt for him grew. He also typifies the mentality of the late 19th-century American (an area of history I know something about). His ambitions and upbringing put him in the right place at the right time. That aspect of American society interests me too–he is a self-made man, but he demonstrates the dark side of the self-made man syndrome: monomaniacal, overly rational, greedy.

4. What, in your opinion, are the key distinctions between literary fiction and genre fiction? In which category would you classify yourself?

VZ: I tend to think of genre fiction as formula-dependent and literary fiction as aspiring to be outside formula. I suppose I aspire to be outside formula, though I realize all writers model themselves on something, and formulas are a kind of model. Literary versus genre seems to be a useful distinction for publishers, but the term is likewise important to writers and readers, who have to work with what publishers want to give them, for better or worse (okay, for worse). It’s true, though, that some people only read detective fiction and romance fiction, some people never read anything by women writers or written before 2000. I don’t think this is good, but considering all the people writing, reading, and publishing (past and present), I see why categorization is practical.

5. What is your next writing project? Can you tell us a little about it?

VZ: I’m sending a short-story manuscript around to publishers, and I’m slowly working on a novel. I’m starting to rev myself up for writing nonfiction too: we’ll see how that goes.

Check out Vivian’s story “Melvi Dui Conquers All” in Between the Shelves, available now on Amazon and Createspace!