tag:blogger.com,1999:blog-30606276036180801072024-03-05T19:57:22.153-07:00Mimetic CapitolVivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.comBlogger112125tag:blogger.com,1999:blog-3060627603618080107.post-82159875342590967822020-11-01T13:33:00.000-07:002020-11-01T13:33:01.640-07:00Western Canadian Western: Ridgerunner by Gil Adamson<p><a href="https://houseofanansi.com/products/ridgerunner" target="_blank">Gil Adamson's <i>Ridgerunner</i> (Anansi 2020)</a> is a sequel to the author's previous book <a href="https://www.amazon.ca/Outlander-Gil-Adamson/dp/0061491349" target="_blank">The Outlander,</a> published ten years before and winner of the International Association of Crime Writers' <a href="http://www.crimewritersna.org/hammett/past.htm" target="_blank">2007 Hammett Prize. </a>The 2020 book has been shortlisted for this year's <a href="https://www.writerstrust.com/awards/writers-trust-fiction-prize" target="_blank">Writer's Trust Fiction Prize</a> as well as the Giller.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifyAfRKrJfy3X4JEUTL5xkVIca9q8mRI4kq8RjTL0fBFC_VtpcSM1aW9acXlFwqqLizm3sq8x_clSyaLg21_bis0AP_iNdrjSGNckfXDGKWmZF5MzHLcbj8eg_1KccPLc6OiRoraihdzw/s1000/Adamson-Gil_Ridgerunner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="656" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifyAfRKrJfy3X4JEUTL5xkVIca9q8mRI4kq8RjTL0fBFC_VtpcSM1aW9acXlFwqqLizm3sq8x_clSyaLg21_bis0AP_iNdrjSGNckfXDGKWmZF5MzHLcbj8eg_1KccPLc6OiRoraihdzw/s320/Adamson-Gil_Ridgerunner.jpg" /></a></div><br /><p></p><p>It is a western of sorts. I like film westerns--my favourite is <a href="https://www.vanityfair.com/hollywood/2017/02/high-noons-secret-backstory" target="_blank"><i>High Noon</i></a>--and I am still devoted to the TV series <a href="https://www.rottentomatoes.com/tv/deadwood" target="_blank"><i>Deadwood</i></a>. I have read very few prose westerns, however, so my literary comparisons for this book derive from other genres. I see affinities with nineteenth century romance and gothic literature of the Old and the New World. The Americans Jack London and Nathaniel Hawthorne come to mind, as does the European gothic of Ann Radcliffe and Walter Scott. Scottish and French names, the sudden dangers of the forest, mysterious cabins in the woods, coincidental meetings, and cold-hearted villains remind me of Scott. The tastes, sights and smells are Canadian, however: the looming Rocky Mountains, the wind-stiffened prairies of southern Alberta, Nakoda-speaker trappers, <a href="https://www.popularmechanics.com/military/weapons/a23149/winchester-rifle/" target="_blank">Winchester rifles</a>, and interminable snow and cold. The time is firmly the early twentieth century, for railroads bring Edwardian tourists to the rough roads of Banff, automobiles loiter in the newly renamed Lake Louise, and the First World War has brought <a href="http://www.experiencemountainparks.com/wwi-internment-camps-in-the-mountain-parks/" target="_blank">internment camps to the Rocky Mountains Park</a>.</p><p>I admired most the details in depicting this world, especially those related to the routine of survival of the people who live alone in the forest. No horse is saddled and no foot pushed into a boot without minute attention. Some readers may balk at the slow pace that results, but the writer's self-assurance in representation filled me with confidence that the novel's events transpired at the rate that they ought to to accomplish the necessary work of its particular mode of storytelling. Some knowledge imbedded in <i>The Outlander</i> might have helped me understand where the "ridgerunner" William Moreland and his wife Mary Boulton had come from so that I could better understand where they were now and how this past affected their adolescent son Jack, who spends much of the novel on the run from his sinister guardian Sister Beatrice. Since I took pleasure mostly in the texture of the setting, I didn't begrudge the lack of context, since I had enough familiarity with gothic adventure to know what the stakes likely were--the tender souls of the good versus the devoring hatred of the evil.</p><p>I was surprised that this kind of book made it into the long list of the Giller, never mind the short-list. Itis old-fashioned in many respects. Can it win? </p><p>__ <br /></p><p>I am terrible at guessing winners of any prize: chances are the book I liked the least will win. All the nominees are good. I liked <i>How to Pronounce Knife</i> the best, but all five nominees are readable and worthy of a reader's time.<br /></p> Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-82545762102641497122020-10-11T21:03:00.003-06:002020-10-11T21:03:26.231-06:00Psychological Thriller: Shani Mootoo's Polar Vortex<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibQ0UehkXFGvVOP4qf-LbW9vm14PIqTLIx2i4V6ch4VK_WvdUm1Lw87UdzojQW8Mt0A-5sSHcPPX6Yc_mVpTGqJsqCMfIBpwEzIRqtv6ceEMeejkVccJNt-ZMmweqDt_iTi1wN3SRH9U4/s1524/Mootoo-Shani_PolarVortex.jpeg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1524" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibQ0UehkXFGvVOP4qf-LbW9vm14PIqTLIx2i4V6ch4VK_WvdUm1Lw87UdzojQW8Mt0A-5sSHcPPX6Yc_mVpTGqJsqCMfIBpwEzIRqtv6ceEMeejkVccJNt-ZMmweqDt_iTi1wN3SRH9U4/s320/Mootoo-Shani_PolarVortex.jpeg" /></a>When I told my husband the basic plot of Shani Mootoo's <a href="https://bookhugpress.ca/shop/author/shani-mootoo/polar-vortex-by-shani-mootoo/" target="_blank"><i>Polar Vortex</i> (2020, Book*hug)</a>, he muttered, "Oh, a Muskoka psychodrama." He's more or less right, though the Muskoka part is a bit off. Mootoo's novel takes place in a house on the north-eastern isthmus of Lake Ontario near Kingston. "Muskoka" invokes the insular middle-class Toronto elite who, besides having cottages in the Muskoka District, dominate the country's arts and politics by reporting on themselves as being dominant. The term "Muskoka pyschodrama," therefore, is not a term of endearment.</p><p>I ended up liking the book, though not unreservedly. During the first two-dozen pages, I felt a tickling of familiarity similar to what I experienced while reading Lynn Coady's <i>Watching You Without Me</i>. Stories of people who leave the urban jungle for a suburban oasis yet who cannot escape their demons have acquired a recently coined subgenre, <a href="https://nationalcentreforwriting.org.uk/article/the-origins-of-domestic-noir/" target="_blank"><i>domestic noir</i></a>, a crime story with feminist underpinnings.Well-known examples are <i>Big Little Lies</i> and <i>The Girl on the Train</i>. Any sense of newness about domestic noir requires a lack of cultural memory. <i><a href="https://www.independent.co.uk/arts-entertainment/books/features/rebecca-daphne-du-maurier-80th-anniversary-popular-still-why-manderley-a8234771.html" target="_blank">Rebecca</a></i> by Daphne du Maurier was published in 1938, and before that was Emily Brönte's <a href="https://www.penguinrandomhouse.com/books/18836/wuthering-heights-by-emily-bronte/" target="_blank"><i>Wuthering Heights</i></a>. Domestic noir seems to me a resurgence into the mainstream of <a href="https://www.bl.uk/romantics-and-victorians/articles/the-origins-of-the-gothic" target="_blank">gothic fiction</a>, which emerged from popular folklore and a backlash against rationalism in the late-eighteenth century. Gothic literature features isolated homes, family secrets, and the threat of death for its frequently (though not always) female protagonists. Domestic noir is updated because of the presence of feminism, though from what I can tell, domestic noir's plots tend not to counter the older idea that innocent, helpless women are perpetually victimized by family secrets animated ny the bodies of powerful, vengeful, and greedy men. Action and violence dominates the climaxes of this genre, so to me the genre is also a subset of the thriller. I tend to avoid this genre myself since I find it too melodramatic and predictable.</p><p>Mootoo's version of the tale of a woman in trouble, however, steers away from domestic noir in significant ways. Her book reminds me of Henry James novels, whose plots reside almost entirely in social awarness and the turbulence of its characters' thoughts. His characters tend not to beat the crap out of each other or chase the heroine down a secluded forest path to stop her from revealing the truth about a hidden fortune, a falsified will, or the non-accidental nature of a seemingly accidental death. </p><p>In <i>Polar Vortex</i>, the primary tension is psychological. The two female narrators are both perturbed by the impending arrival at their artist retreat of Prakash, an old friend of Priya, a painter who is married to the writer Alex. Priya thinks that Alex feels threatened by Prakash in some way, but she cannot get Alex to admit to her unreasonableness. At the same time, Priya is unsure why Prakash wants to drive three hours to her new hometown after so many years of silence from him. Priya's thoughts constitute the main materiel of the book. Priya is a bundle of insecurities concerning her present wife, her past partner Fiona from her university days, and the two men who witnessed Fiona and Priya's romance, the heartbroken Stan and the goofy but steady-hearted Prakash. In addition to her thoughts about Prakash, the novel records Priya's fraught interactions with Alex and their neighbour and mutual friend Skye, who drops by the morning of Prakash's arrival. Eventually, Alex gets a chance to narrate her own section, and in this brief escape from the perspective of the tormented Priya, the novel reveals that Priya is not entirely a reliable narrator.<br /></p><p>Another difference between this novel and domestic noir derives from its focus on cultural and sexual identity. Priya and Prakash are immigrants of Indian descent, Priya from Trinidad and Prakash from Uganda. Prakash is a cartoonishly "normal" Indian man, at least as Priya keeps insisting, but his background, as does hers, informs more of what happens in their lives than Priya at first will admit. Priya's sexuality also serves as a significant pressure point. Although at first her lesbianism seems besides the point—relationships are relationships, after all—her sexual orientation complicates the texture of her relationships. </p><p></p><p>The meteorological force named in the book's title is an emblem for the unpredictable yet always looming pressure that arises because Priya fears reality's incursion on the emotional bulwalks she has put up to prevent any spillage of her past into her life. When she recalls last year's horrific winter, she conjures an image that represents her fear of losing control the narrative that she has constructed for herself and others: "It wasn't a stretch to imagine water undulating, restless, captive, wanting an escape fron all that ice. It felt as if the force of the moving water beneath might actually, at any second, wrench the boulders above from whatever anchored them and send them skidding toward the road, shoving us into trees or, more mercifully, simply crushing us flat." That was last year, though; on this day, nothing can prevent the waves from crashing over her.</p><p>The psychodrama is something I came to admire as I finished the novel, particularly the construction of Priya's anguished re-fashionings of her memories as she awaits Prakash's arrival. Re-reading the novel is a different experience than the first reading, therefore, since Priya's analytical missteps are painfully obvious. A book that reads differently on the second go-around to me demonstrates the detail and the skill behind its creation. <br /></p><p>I recommend this book.</p><br /><br /><p></p>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-25715496473036331402020-10-06T18:52:00.001-06:002020-10-06T18:52:52.873-06:00Short Miracles<p></p><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ7rg7d9oGnkQbXuabFb6Cz9SD8mEj6EMDdCdHbE-ZztZZMC9aI18bIzNtXZzU3REGRn8Ato3GbQZmVKBtnuCwnm1Z4V56F7fz9q6gal-EJg_BuqrRVhDUWO_0wW7Xzo07gLcvcXUHSec/s1000/Adamson-Gil_Ridgerunner.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="656" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ7rg7d9oGnkQbXuabFb6Cz9SD8mEj6EMDdCdHbE-ZztZZMC9aI18bIzNtXZzU3REGRn8Ato3GbQZmVKBtnuCwnm1Z4V56F7fz9q6gal-EJg_BuqrRVhDUWO_0wW7Xzo07gLcvcXUHSec/w131-h200/Adamson-Gil_Ridgerunner.jpg" width="131" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg16vIGwgHJDyNFIWJEgXn1-amVY0wIuBQUyl1rMiA3Yoam1Sasl_X9ukGuogalsMabn3j7sJcbo639HJmHugK7pvU21R9YLk-bHzAeOy4GXwa8ZKugibk17n890lzDAUNn91R0z0cOYtY/s1000/Bergen-David_HereTheDark-002.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="625" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg16vIGwgHJDyNFIWJEgXn1-amVY0wIuBQUyl1rMiA3Yoam1Sasl_X9ukGuogalsMabn3j7sJcbo639HJmHugK7pvU21R9YLk-bHzAeOy4GXwa8ZKugibk17n890lzDAUNn91R0z0cOYtY/w125-h200/Bergen-David_HereTheDark-002.jpg" width="125" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhax6XTf3NKbuP9_XE9TIrGd7dXh838eEJxQ0aqIcuv_LsIwrzDT2-o5YAEYTqx719R1ewtgOZc3GyGfLjk1Tq9ODcfue1XAORNdHScIyAS21pEmXlO26A7FAohNMAewAXdCpyVMSs26zw/s1000/St.-John-Mandel-Emily_TheGlassHotel.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="674" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhax6XTf3NKbuP9_XE9TIrGd7dXh838eEJxQ0aqIcuv_LsIwrzDT2-o5YAEYTqx719R1ewtgOZc3GyGfLjk1Tq9ODcfue1XAORNdHScIyAS21pEmXlO26A7FAohNMAewAXdCpyVMSs26zw/w135-h200/St.-John-Mandel-Emily_TheGlassHotel.jpg" width="135" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKsV-KWXUx51875zNZaeS6PtlKQ-Fcsa8cLeqN2nAffVc0WInSUnnRH7jLXzY5cLtYqe7aMzxZgvt5g6Cwpl0IaWS2Ncf38TiOsa5OIJygZGIE9nubtOQEv1H3W-paDSHlowHxWgVd8w4/s1524/Mootoo-Shani_PolarVortex.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1524" data-original-width="1000" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKsV-KWXUx51875zNZaeS6PtlKQ-Fcsa8cLeqN2nAffVc0WInSUnnRH7jLXzY5cLtYqe7aMzxZgvt5g6Cwpl0IaWS2Ncf38TiOsa5OIJygZGIE9nubtOQEv1H3W-paDSHlowHxWgVd8w4/w131-h200/Mootoo-Shani_PolarVortex.jpeg" width="131" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ2UuOQf3oFe9khsKZml2C08NEjLrqqfA14KVYQFoNjFabyoV1lur9fh0JloZQt4695gfrZ_GVoATpePxF1ARNOJ4lAlPZmktCRJbhehidMqbG7FOEREO8nGNIQ9qoEMhV9mjMofEs1Xg/s1000/Thammavongsa-Souvankham_HowToPronounceKnife.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="649" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ2UuOQf3oFe9khsKZml2C08NEjLrqqfA14KVYQFoNjFabyoV1lur9fh0JloZQt4695gfrZ_GVoATpePxF1ARNOJ4lAlPZmktCRJbhehidMqbG7FOEREO8nGNIQ9qoEMhV9mjMofEs1Xg/w130-h200/Thammavongsa-Souvankham_HowToPronounceKnife.jpg" width="130" /></a></div><p>The <a href="https://scotiabankgillerprize.ca/the-scotiabank-giller-prize-presents-its-2020-shortlist/" target="_blank">2020 Giller Prize Shortlist was announced yesterday</a>, and I have read and reviewed three of the five nominees, if I include today's post, which is about Souvankham Thammavongsa's<i> How to Pronounce Knife</i>. As I said earlier, I have reduced some pressure on my reading by dropping long-listed nominees that did not make the short list. I feel pretty good about my chances of reading all the short-listed books. I will start Shani Mootoo's book after I finish this post, and I expect a copy of Adamson's <i>Ridgerunner</i> to arrive at my door via Audreys Books free delivery service for orders over $50.00. I am quarantining right now--I have a sore throat--so I was pleased to get that book delivered to me. Else I would have had to depend on the kindness of strangers to get a copy.<br /></p><p>The Giller judges dropped the book that I had favoured the most among the three I had read, namely Seth's <i>Clyde Fans</i>. I am saddened somewhat, but not enough to think that I should take nominations and awards seriously. A short-list likely is better than a long-list for sales, but a long-list is good too. I hope people consider reading Seth's book anyway. As it turns out, the fourth book on my reading list was going to edge ahead of <i>Clyde Fans</i> on my most favourite list.</p><p><a href="https://www.penguinrandomhouse.ca/books/602649/how-to-pronounce-knife-by-souvankham-thammavongsa/9780771094606#" target="_blank"><i>How to Pronounce Knife</i></a> is another story collection, this one of fourteen stories. All of them are short. (This collection has no novella, as Bergen's <i>Here the Dark</i> has.) <a href="https://www.poetryinvoice.com/poems/poets/souvankham-thammavongsa" target="_blank">Thammavongsa has primarily been a poet</a>, so I am not surprised, as brevity characterizes poems as much as short stories. Like Bergen's collection, a few motifs dominate these unconnected stories. Most of the stories feature immigrants from Laos. The people in these stories tend to be urban-dwellers, and some of them like to fold things into squares, whether a newspaper, a mat, or a parking ticket. Thammavongsa tends to favour the indeterminate ending more than Bergen, though some of his stories do use this ending. I imagine that indeterminate endings drive novel-readers insane, but I like them usually. As I grow older I have grown less tolerant of slice-of-life stories, which often have indeterminate endings. These stories, however, are not slice-of-life, because the events in the stories mark a change in the lives of their protagonists.</p><p>Some of the stories could be about the same family, though the differences are enough to make clear they are not the same family. The family is a mother and father with one or two children, all of them recent migrants to Canada, to the point where the parents' English is weak. The children, however, are dependent on their parents for knowledge about the world, and the fact of the parents' foreignness leads to some problems, some relatively minor, as in "Chick-A-Chee," in which the two children do not know what they are supposed to say to home-owners on Hallowe'en. Other problems are major, as in "Picking Worms," when the mother invites her daughter's white date for the school dance to pick worms at her workplace to make extra money, and the boy gets promoted to be the mother's manager. In the title story, the daughter knows her parents shouldn't ignore the notes her teacher pins to her coat, but she defers to their parental good intentions to the point that she argues with her teacher over the pronounciation of "knife."<br /></p><p>The tension in these stories tends to stem from cringeworthy misunderstandings and power imbalances. In "Mani Pedi," a young boxer finds himself bottoming out in his career and finds shelter with his sister, who owns a nail salon. The boxer soon finds himself doing nails, but he comes to see that his proximity to beautiful white women doesn't have as many benefits as he would hope; his sister certainly disabuses him of his fantasy of upward mobility. In "Slingshot," the elderly narrator makes friends with a thirty-two-year-old fellow tenant in her apartment building. She knows that other people see only her exterior, but Richard seems to acknowledge the flesh and blood on the inside. Ten years later, she sees him on the street, and she decides to looks through and past him, just like most people do to an eighty-year-old woman.<br /></p><p>The stories feel light because of their brevity and the clarity of the writing. Thammavongsa's stories put on no airs, but that doesn't mean that they lack profundity. The stories' depth lies in the particular details of daily life and the effects of an accumulation of days on a person, a family, and a culture.</p><p><br /></p>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-70688353830507806932020-10-03T12:49:00.005-06:002020-10-03T12:49:42.605-06:00Stories of Sex and Power: David Bergen's Here the Dark<p>David Bergen's <a href="https://www.mcnallyrobinson.com/9781771963213/david-bergen/here-the-dark" target="_blank">Here the Dark</a> consists of seven stories, the last, a novella, being the title story. Masculinity, sex, love, religion, and power constitute the overarching themes. This covers just about everything (just about, not all....). The littler stories deserve a bit of own attention, since these are not connected stories, those novels in disguise that have crept into the marketplace and, I think, have damaged the value of the short story genre these days. Bergen's six are honest-to-god short stories. </p><p>My favourite of the six is "How Can n Men Share a Bottle of Vodka?" about a math teacher who uses his wise-spirited high-school students as a sounding board for his relationship problems. (This story won the <a href="https://www.cbc.ca/books/literaryprizes/past-cbc-literary-prize-winners-1.4096061#1990s" target="_blank">CBC Literary Prize for the Short Story in 1999</a>.) The students become a Greek chorus cheering on their alcoholic, demoralized teacher in his search for love and meaning such a sweet way that I was genuinely surprised and delighted.<br /></p><p><a href="https://www.mcnallyrobinson.com/9781771963213/david-bergen/here-the-dark" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://bookmanager.com/i/b.php?b=N8KJ1y9Scrzq5n5fJSRweQ" style="width: 132px;" /></a>Anoter story that stands out from the others in its focus is "Hungry. It addresses one of the collection's main motifs--teenagers and sexuality--but with the addition of a recent migrant from Rwanda who gets mixed up with a jagged-edged white family whose sons' sexual power plays take no prisoners. A reverse version of this story is "Saved. "Set in Vietnam, its protagonist is a destitute teenaged boy who becomes involved with a Christian missionary group. Like all the characters in this collection, the boy's sexual desire serves as a symptom for a spiritual neediness that organized religion can't assuage. The story shocked me, not a bad thing for me.<br /></p><p>The other four I group together loosely as stories of men whose sexual and romantic desires face resistance from gatekeepers. "Man Lost" features an island-dwelling fisherman named Quinn who has a customer known simply as K who is, well, the worst: wealthy, tacky, misogynistic, alcoholic, and socially disruptive. Quinn
should know about the last part because K impregnates his sister. K
wants to catch the big fish so Quinn takes K out on the ocean and,
probably inadvertently, demonstrates how precarious human life is in the
face of nature and one's own weaknesses. In "April in Snow Lake," a displaced young man gets taken into the bush by the uncle of a young woman who attends his Christan youth group. Yes, the trip to the bush is a test, and yes, the uncle does not make things easy for him.The protagonist of "Leo Fell" has better helpmeets among the locals he meets when he moves to Kenora for a job after his finances and his marriage fall apart. The waitress Girlie has all kinds of people trying to play matchmaker. The protagonist's road is not so easy in "Never Too Late." An old farmer is romanced by a wheel-chair bound woman whose psychopathic ex-husband still feels some proprietoriness towards her since she is an heiress. A dog proves to be a useful bridge for the couple</p><p>A dog serves as a similar bridge in "Here the Dark." This story gathers some of the motifs in the other stories but this time features a female protagonist, Lily, a young Mennonite who does not acquiesce easily to the expectations of her community. Her problem is her openness to the other world through her school-friend Marcie and her Aunt Dolores, who plies her with books in a deliberate effort, it seems, to introduce the outside world to Lily. Lily in particular wants to explore her sexuality, a desire that her husband Johan has little problem with in actuality but in the end has spiritual misgivings about. Another outsider complicates things for Lily: Frantz, her wayward brother-in-law, who has a dog as well as plenty of experience with the outside world. As might be expected, Lily's extended family and the community's elders want to keep Lily in the community. </p><p>I have read quite a bit of writing, fiction and non-fiction, about Mennonites and other closed religious communities, and I may have lost too much sympathy for these groups to be patient with the slowness of Lily's haphazard rejection of her upbringing. As well, the trajectory of Lily's life resembles those of other protagonists in these other stories, so I did not feel like this story was original enough to make me appreciate it.</p><p>Notwithstanding the title story's female protagonist, the stories seemed old-fashionedly male- and sex-oriented. Hemingway in particular came to mind. People who want to have this kind of reading experience might like this book more than I did. With the exception of "Hungry" and "A Bottle of Vodka," I did not experience enough of a push at the envelope. I want something new when I read, and the other books Giller long-listers I have read so far were closer at achieving this for me.</p><p>I am now reading another story collection among the Giller nominees, and I am curious about how I will react to them.<br /></p><p> </p><p><br /></p>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-56091284620395896562020-09-29T21:40:00.000-06:002020-09-29T21:40:12.540-06:00The Endtimes Revisited: Emily St. John Mandel's The Glass Hotel<p><a href="https://www.penguinrandomhouse.com/books/567284/the-glass-hotel-by-emily-st-john-mandel/" target="_blank"><i>The Glass Hotel</i></a> feels like a remake of Emily St. John Mandel's previous novel<i> <a href="https://www.amazon.ca/Station-Eleven-Emily-John-Mandel/dp/0804172447" target="_blank">Station Eleven</a></i> (2014), with the pandemic of the latter book replaced by the 2008 financial crisis as represented by a <a href="https://www.biography.com/crime-figure/bernard-madoff" target="_blank">Bernie Madoff</a>-style Ponzi scheme. A seemingly significant difference is that<i> Station Eleven</i> is speculative fiction, whereas <i>The Glass Hotel</i> lies in the realm of the literary mainstream<i>.</i></p><p>No matter how much I tried, though, and I tried, I couldn't ignore the doubling between the two books. I can't say too much without revealing their plots, but I will say this. <i>The Glass Hotel</i> contains two characters from the previous book: shipping company executives Leon and Miranda, the latter who is arguably the main character of <i>Station Eleven</i>. Leon gets more attention in the 2019 version as one of the people who suffers complete ruin at the hands of the novel's Madoff stand-in, Jonathan Alkaitis. Another character fills the role that Miranda plays in <i>Station Eleven</i>. Like her, Vincent Smith (named by her parents after<a href="https://www.poetryfoundation.org/poets/edna-st-vincent-millay" target="_blank"> Edna St. Vincent Millay</a>) lucks herself into a luxurious life by virtue of her mismatched relationship with a wealthy man (Alkaitis), yet she feels "adrift" and "unmoored," two words that are key in characterizing the emotional states of many characters in both books, in the cocoon of this life. Miranda funnells her passion into her graphic novel and into the isolation of the title's enwombing retreat for her fictional alter ego Dr. Eleven. For her part, Vincent takes five-minutes videos of the natural world, especially of the ocean of her childhood home of the coast of British Columbia and of the oceans she travels to as the trophy wife of Alkaitis. Standing in for Station Eleven is the Hotel Caiette, the hotel of glass that brings the major players of the plot together. Hotel Caiette constitutes another fragile place of stillness in the wilderness, but it also stands in for all the glass-bound towers that Vincent finds herself in as Alkaitis's fake trophy wife. </p><p>In addition to these plot and character parallels are a similar structure and theme. For both novels, Mandel writes in fragments, and the changes in space and time between adjacent fragments often are marked by continents and decades. Her many characters cross paths, and in those crossings the books emphasize the interconnectedness of things and the ineffability of experienced time. The storytelling in <i>The Glass Hotel</i> is not chronologically straightforward, that is; but Mandel nevertheless has enough control of her material that I never got lost. Each character who is connected to Vincent and Alkaitis has a unique enough personality and narrative circumstance that confusing is difficult. The result of these well-controlled fragments is a narrative that drifts forwards and backwards in time while simultaneously revealing details that, once put in chronological order, depict a melancholic planet full of people whose sufferings are rarely inflected by any of the good things that happen to them. For Mandel's characters, decisions tend to lead to bad outcomes, but no character seems surprised by that downturn; or if a character is surprised, as Leon and his wife seem to be at first, they come to love the freedom that their ill fortunes have brought them. I am not sure of this doubling is conscious or not; I suspect it is, though why I am not sure.<br /></p><p>When I say that the two books feel similar, I mean the emotion of melancholy possessed by characters who cannot escape their pasts and the sense of disorientation generated by the books' fragmented structure. When I read both books I had this same feeling.<i> </i>One emotion that the newest book lacks is <i>Station Eleven's</i> thriller elements in the post-pandemic world, but I did not believe that aspect of the earlier book. It seemed much too similar to elements of other postapocalyptic stories, such as the crazed warlord who with his murderous cult threatens the possibility of humans to resurrect their demolished civilizations. </p><div class="separator" style="clear: both; text-align: center;"><a href="http://www.emilymandel.com/" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;" target="_blank"><img border="0" data-original-height="1773" data-original-width="1773" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK3nlOwrI2OXcEjx4WlG2qTQNbNrYKcHho67Z3ujiDyo9VBf5D6CVGHylCO42oVdMlNtGiTPDqtiKeH050Mr0VjaxQ8OQ72ldpxfwlM9UhXYAcgMWH35Xn2NZFM6cWw0Rpg4iLN5fmW3U/s320/glasshotel.jpeg" /></a></div><br /><p></p><p>I liked the pre-pandemic part of<i> Station Eleven</i> much more. <i>The Glass Hotel</i> resembles most that pre-pandemic world, which is not less beholden to the cliches of many postapocalyptic stories. I didn't like <i>Station Eleven</i> that much, but I like <i>The Glass Hotel</i>. The similarity of the two novels, however, puts me off <i>The Glass Hotel</i> to some degree. I suspect I would have liked it more if I had read it first. </p><p>Now that I have read three books, I can start to make comparisons. Lynn Coady's <i>Watching You Without Me</i> is stylistically and narratively much different from Mandel's book and requires some effort in comparing the two. By contast, Seth's <i>Clyde Fans</i>, however, resembles Mandel's novel in its focus on how the past affects the present and with a similar melancholy. </p><p>At this point, I prefer <i>Clyde Fans</i> because of its greater philosophical intensity and closer examination of its fewer characters. But I have eleven more books to read, so I can't say more than this until I get through more, if not all, of them.<br /></p>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-60292029460265881312020-09-26T22:27:00.003-06:002020-09-26T22:27:59.053-06:00Caregiver Horrorshow: Lynn Coady's Watching You Without Me<div class="separator"><p style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><a href="https://houseofanansi.com/products/watching-you-without-me"><img align="left" alt="Cover of Watching You Without Me" class="product__main-image" height="200" src="https://cdn.shopify.com/s/files/1/0276/4619/products/9781487006884_FC_800x.jpg?v=1565887503" width="131" /></a>I classify this book as a psychological thriller of the type in which a
dangerous person has entered the protagonist's house. In this book's case, the danger has entered the house because the protagonist has invited the danger inside, much like in some traditions of the vampire. Trevor, the danger, is not a literal vampire, but his neediness imitates the vampire's dependence on others for sustenance.</p><p>Trevor is a home care worker for Kelli, the developmentally-disabled older sister of the narrator, Karen. Karen and Kelli's mother Irene has died, and Karen must now look after her sister. At first Karen interprets the scope of this new responsability as mainly the finalization of Kelli's installation into a continuing care facility that Irene has already selected. Karen, however, must in the meantime navigate her life through newness such as the schedule of the health care workers who had been helping the ailing Irene with some of Kelli's needs, such as bathing her and taking her for a walk. Trevor is the person who has been walking Kelli, and it seems as though Kelli is fond of Trevor. </p><p>Karen understands, slowly, that in many ways Trevor became a surrogate son. Karen left Nova Scotia years ago, and that departure represented the emotional distance that had been widening between Irene and Karen since adolescence. Karen resisted Irene's attempts at instilling her values of self-sacrifice and religious faith onto Karen. Teenaged Karen didn't view her mother as a saint but as someone who tried to impose moral perfection. After moving to Toronto, getting herself a career, a marriage, and a divorce, Karen returns home to face her mother's arguments all over again. Trevor is one of the people who sees Irene as a saint. Furthermore, he seems to have adopted her moral formula for life.</p><p>Trevor is not, it turns out, a saint. Karen sees this at first, but self-loathing kicks in, and she reinterprets her past as evidence of her inability to see the truth of things. Karen doesn't see Kelli as a burden, but she realizes that many people who offer help need help themselves. This understanding alters her view of people such as Trevor as well as Karen's old friend Jessica, now a real estate agent and insistently "with it" person who suffered a traumatic childhood. At the same time, though, Karen's revised view makes her vulnerable. Both Jessica and Trevor see this, and act accordingly.<br /></p><p>What pleased me at the outset was the sense of humour, a black humour to be sure, but a well-considered humour given that, I imagine, caregivers experience things that demand the ability to appreciate the strange beauty of complications that arise, as they do for Karen because, for example, Kelli hates elevators and has been drinking too much pop. Along with the humour, tension arises from the obstacles Karen faces outside and especially inside her newly narrowed world. I couldn't put the book down, I must confess. However, it ends more or less the way I expected it to, and I felt cheated; I'm not a devotee of the thriller genre because I know how they end, and I generally stay away from the genre accordingly. Still, the ending is a bit unusual. Is Kelli, in the end, a manifestation of God? </p><p>Lynn Coady's <i>Watching You Without Me</i> is the second novel I have read recently in which the author basically apologizes for the ending. The first was Donna Tartt's <a href="https://www.chapters.indigo.ca/en-ca/books/the-goldfinch-a-novel-pulitzer/9780316055420-item.html?s_campaign=goo-DSA_Books&gclid=Cj0KCQjwzbv7BRDIARIsAM-A6-3nuV-PbJy_rKQCfOf-RWqgWq8Mg1BAmdAZTTWGEyVFfp3BB-CW9wAaAkRMEALw_wcB&gclsrc=aw.ds" target="_blank"><i>The Goldfinch</i></a>.
That book devotes many pages to its lament over reader expectations for
a clear-cut ending since life never turns out that way. But people know that, no? My sense with Tartt's book is that Tartt may have wondered <i>how </i>to end the book, a fair enough question considering how long that book is and <a href="https://www.theguardian.com/books/2013/feb/13/donna-tartt-first-novel-11-years" target="_blank">how long it took her to write it.</a> Thankfully, Coady's version of this apologia is much shorter. Still, I didn't think the book needed to warn the reader that it may not end the way the reader would like. I consider an unusual ending to be a feature, not a flaw. As a result, Coady's book has more substance than other thrillers I have read. </p></div>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-50255266803849739282020-09-18T14:28:00.040-06:002020-09-18T14:39:25.403-06:00Seth's Clyde Fans: My Reading of Giller Prize Long-list Nominees<div class="separator"><p style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em; text-align: left;"><img height="214" src="https://drawnandquarterly.com/sites/default/files/styles/creation-gallery/public/images/creations/gallery/Clyde%20Fans/clydefans1.jpg?itok=UE8KSm_t" width="339" /> </p><p style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em; text-align: left;"><br /></p></div><p></p><p>Although the book is thick, heavy, and encyclopedic in appearance,
inside is an intimate depiction of a generation of salesmen and the
creep through time of disillusion and decay. Set in Toronto from the
1950s to the late 1990s, <a href="https://drawnandquarterly.com/clyde-fans?qt-shop_navigation=0&shop_item=3" target="_blank">Clyde Fans</a> (<a href="https://drawnandquarterly.com/" target="_blank">Drawn & Quarterly</a>, 2019) depicts the postwar ideal of
optimism and growth that loomed over the reality of people who knew
that they did not fit into this ideal. Abe Matchcard, owner and manager
of his father's fan business, at first sees himself as an inheritor of
the postwar dynamism and optimism modelled by his self-involved,
bullying father. Abe's older brother Simon, by contrast, has cultivated
an contemplative inner life at odds with Abe's gung-ho validation of
commercial enterprise, consumer acquisitiveness, and search for material
comfort at the expense of all else.</p><p> The graphic novel never shows favour for this ideal. <i>Clyde Fans</i> begins with Abe wandering through his family home and soliloquizing about his past. At first he discusses salesmanship as though he has absorbed sincerely the self-help-style mantra of <a href="https://www.youtube.com/watch?v=GrhSLf0I-HM" target="_blank">Always Be Closing</a>. Soon, however, he drops the facade, which crumbles as images piles up of his home and its attached offices, scraps of paper littering the floor, stacks of piles, boxes of unsold fans stacked in storage, and cracks in the walls. Abe acknowledges his ill-suitedness to salesmanship and hints at the disorder in his family, beginning with his father and leading to Simon's disengagement from the practicalities of life and his attachment to their aging, disappointed mother and to the writing of a book about the novelty postcards he has collected since the 1950s.<br /></p><p></p><p>As he states in the afterword, <a href="https://drawnandquarterly.com/author/seth" target="_blank">Seth </a>wrote <i>Clyde Fans</i>, inspired by an actual deserted storefront for Clyde Fans, in installments over twenty years. Though his obsession with the subject remained steady, his drawing style changed, becoming blockier and heavier in its outlines. Nevertheless, what remains constant is the insistence on silence and distance as represented by the many wordless panels and the attention to the clean geometries of the city landscape, often presented in a birds-eye view or slightly lower. Throughout the colours are stark black, varieties of grey, and pale blues. When the Matchcards go to smaller towns and the countryside, the panels are less crowded and favour curves rather than straight lines. Wherever and whenever the plot leads, images repeat: birds, shadows falling across facades, three trees on a hill, a lighthouse, drops of liquid, and those scraps of paper lying in hallways, in office floors, on sidewalks.<br /></p><p>The Matchcard brothers have the urge to burrow into the comfort of the
past as protection not only from the present and the future but also
from the most distasteful elements of the past. Abe admits that he came to this awareness late in life, whereas his brother has acknowledged this reality since boyhood. Simon, introverted, dreamy, and dissatisfied, laments the "impenetrable wall of time" that separates him from the past and from the
past versions of himself. He learns to cope, at least some of the time,
by constructing fantasies that, though not without their painfulness,
demonstrate memory's malleability and the imagination's constructive
power. Although the characters, and people in general perhaps, have a wall that separates past from present, narrative literature can move around those walls. The chronology skips forward and back. The book ends not with the chronological present but with Simon at his happiest moment. That he disavows this moment later in his life is not important to the texture of <i>Clyde Fans</i>. That moment exists, and the book treasures that moment for Simon by reinvoking the bittersweet vision that inspired it. </p><p>Seth's graphic novel may remind people of the plays <i><a href="https://www.penguinrandomhouse.com/books/323531/death-of-a-salesman-by-arthur-miller/9780141180977/readers-guide/" target="_blank">Death of a Salesman</a></i> by Arthur Miller and <i><a href="https://www.amazon.ca/Glengarry-Glen-Ross-David-Mamet/dp/0802130917" target="_blank">Glengarry Glen Ross</a></i> by David Mamet and the 1968 documentary <i><a href="https://www.youtube.com/watch?v=RkY6pgrOOOg" target="_blank">Salesman</a></i> by David and Albert Maysles and Charlotte Zwerin. In other words, <i>Clyde Fans</i> will not stoke the enthusiasm of anyone about to embark on a career in sales.<br /></p><p>The book expresses a particular and peculiar personal vision, melancholic and obsessive of the past without sentimentality. Simon's attempts to make sense of life's disappointments arethe strongest part of the book, and I can't forget the sequences of images that form his visions and ratiocinations. I recommend this book.</p><p><br /> </p><p>⧫ <br /></p><p>This is the first of the fourteen <a href="https://scotiabankgillerprize.ca/the-scotiabank-giller-prize-presents-its-2020-longlist/" target="_blank">2020 Scotiabank Giller Prize longlist of nominations</a> that I plan to read this fall. I will devote one post per book. The Giller Prize opened its nominations to graphic novels for the first time this year, so <i>Clyde Fans</i> is competing with Canadian novels and short story collections. </p><p>If I don't finsh reading the longlisted books before the announcement of the short list on October 5, I will skip to the shortlisted texts I have not yet read. The winner will be announced at a televised gala November 9 on <a href="https://www.cbc.ca/television" target="_blank">CBC television</a> and <a href="https://gem.cbc.ca/" target="_blank">CBC Gem</a>.</p><p>I have never tried to read all the Giller longlists. But I have recently finished reading all the books on my bookshelf, and I am doing this to sink me into contermporary writing after years of catching up with the past. I have a lot of reading to do. Better get at it.<br /></p>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-67617929996067040622020-09-01T17:28:00.001-06:002020-09-01T17:28:31.671-06:00Creativity PodcastsI listen to a few podcasts regularly, but I thought I ought to boost my podcast consumption with respect to creativity. Here are some ones I like because they inspire me to take risks and because they pump up my fragile self-esteem.<br />
<br />
<a href="http://www.wtfpod.com/" target="_blank">WTF with Marc Maron</a>. Maron has been podcasting from his garage since 2009. His guests tend to be fellow comedians, but occasionally he veers into other realms, such as when he famously had President Barack Obama as a guest. Maron has a philosophical bent, and he also has his guest speak about their origins and their creative processes, so I find his guests' commentary often inspires me to think about taking risks, something that comedians are forced to do every day. <br />
<br />
<a href="http://yourcreativepush.com/" target="_blank">Your Creative Push</a>. Host Youngman Brown interviews people from all kinds of creative fields: writers, painters, musicians, small business owners, you name it. The goal is to encourage people to work on that project that they've always wanted to do but are waiting for something or someone to get out of their way. The podcast emphasizes bucking up creative people who have been struggling to achieve their dreams. Brown is a thorough interviewer, and he gets the most of out of the experiences of his guests.<br />
Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-12885538620252849852019-03-14T14:59:00.000-06:002019-03-14T14:59:13.132-06:00Found Art/Found PoetryFound art is a type of art that uses ordinary objects in the same way that more deliberately created art is treated. <a href="https://www.tate.org.uk/art/art-terms/f/found-object" target="_blank">The Tate Gallery</a> has a fantastic explanation of found art objects, including many examples of found art.<br />
<br />
The idea is that all objects can be considered art, especially if they are put in a context that makes them art. When people collect sea glass, for example, or display a piece of driftwood they like, they are creating found art objects. A toddler's scribbles framed and mounted in a nursery, pretty buttons arranged in a row on a shelf, or an antique hoe put in the backyard for display, all are examples of found art. Other artists alter the found art objects, such as using them as parts of a larger work.<br />
<br />
I have created a work using found objects, an acorn and a paintbrush. I don't consider the photograph to be part of the art, by the way, though I could have if I intended to frame the photo and display that.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQBUiMml-0kSWYJT5u_V6vGXHqAIHn7o4wR1-k4xnTqwYUnOpGWeCCGS8QTlTi9raVQIOKU3VNphhL66vBoshTyrnYPmvfviucFPkeRmAisyp0YTx_zBP_5tXm7A5Wi0r70q228Rc79Po/s1600/acornandbrush.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="336" data-original-width="1600" height="67" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQBUiMml-0kSWYJT5u_V6vGXHqAIHn7o4wR1-k4xnTqwYUnOpGWeCCGS8QTlTi9raVQIOKU3VNphhL66vBoshTyrnYPmvfviucFPkeRmAisyp0YTx_zBP_5tXm7A5Wi0r70q228Rc79Po/s320/acornandbrush.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">V. Zenari. <i>Acorn and Paintbrush</i></td></tr>
</tbody></table>
<br />
I like the balancing trick, and I like the lighting around the acorn (shadows below the brush and on most of the acorn).<br />
<br />
People's homes are full of found objects treated as art. People may be more sceptical of found art when it put in an art museum with a person's name and a title, as though that person shaped that object rather than found it in a flea market or even lying in a garbage heap. Dada artists often did this kind of thing: <a href="https://www.tate.org.uk/context-comment/video/3-minute-wonder-marcel-duchamp-fountain" target="_blank">Marcel Duchamp's Fountain (an unmounted urinal) is a good example</a>.<br />
<br />
Found poetry is a subset of found art. It is poetry created by words created for some other purpose than poetry. To see some examples of found poetry, visit <a href="https://www.poets.org/poetsorg/text/found-poem-poetic-form" target="_blank">The Academy of American Poets</a> website or<br />
<a href="https://www.theguardian.com/books/booksblog/2013/aug/09/poster-poems-found-poetry-cutup-collage" target="_blank">this discussion from <i>The Guardian</i>.</a><br />
<br />
One can format or edit a text in its entirety, or use pieces of different texts to make a collage of some sort. <a href="http://verbatimpoetry.blogspot.com/" target="_blank">Verbatim</a> is an online magazine that accepts only found poetry.<br />
<br />
For me, I worry about copyright. But if the original is in the public domain (for example, is really old), or if you created or transcribed somehow the original words yourself, I don't see any trouble with reusing texts created from other texts.<br />
<br />
Below is a found poem of mine that uses word from Julia Ward Howe's "Battle Hymn of the Republic," which first appeared in the <a href="https://cdn.theatlantic.com/assets/media/img/posts/2017/05/battlehymn_original/f18a47fea.jpg" target="_blank"><i>Atlantic Monthly</i> in Feburary 1862. </a><br />
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<b>Be Jubilant</b></div>
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<br /></div>
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Since the truth is tramping on our hearts</div>
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Let us die transfigured in my bosom</div>
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like the lilies in the evening </div>
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read the glory of their beauty in the dim</div>
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My soul answers holy the fiery gospel</div>
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at the heels of love’s terrible free sword.</div>
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Be swift, circle the camp where the lamps flare</div>
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Build an altar to us where lightning fires and </div>
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sifts the burnished steel of affection’s battle</div>
<br />
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Never retreat </div>
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<br /></div>
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Hymn to us, fateful coming</div>
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with the sentence of grace</div>
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<br /></div>
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Answer my writ</div>
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<br /></div>
Crush me<br />
<br />
<br />
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---</div>
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<br /></div>
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I wrote another found poem using the simple method that <i>Verbatim</i> suggests: take a text not intended to be a poem and format it like a poem by adding line breaks. I used an an old template for a corset advertisement in the <a href="https://repository.duke.edu/dc/eaa/Q0049" target="_blank">Dry Goods Book</a>, a marketing manual the <a href="https://repository.duke.edu/dc/eaa" target="_blank">Emergence of American Advertising 1850-1920</a> digital collection at Duke University.</div>
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</div>
<div class="MsoNormal">
<b>The Way a Corset Is Made</b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
The way a corset is made</div>
<div class="MsoNormal" style="line-height: normal;">
has everything to do with</div>
<div class="MsoNormal" style="line-height: normal;">
its comfort, appearance, </div>
<div class="MsoNormal" style="line-height: normal;">
and</div>
<div class="MsoNormal" style="line-height: normal;">
wear. The ——</div>
<div class="MsoNormal" style="line-height: normal;">
corset is made of</div>
<div class="MsoNormal" style="line-height: normal;">
good materials and is</div>
<div class="MsoNormal" style="line-height: normal;">
flexible. That’s the </div>
<div class="MsoNormal" style="line-height: normal;">
foundation</div>
<div class="MsoNormal" style="line-height: normal;">
of success. It will adapt itself to</div>
<div class="MsoNormal" style="line-height: normal;">
any form, as if the</div>
<div class="MsoNormal" style="line-height: normal;">
wearer were</div>
<div class="MsoNormal" style="line-height: normal;">
melted </div>
<div class="MsoNormal" style="line-height: normal;">
and</div>
<div class="MsoNormal" style="line-height: normal;">
poured </div>
<div class="MsoNormal" style="line-height: normal;">
into it. It couldn’t fit </div>
<div class="MsoNormal" style="line-height: normal;">
better. The flexibility makes it fit
</div>
<div class="MsoNormal" style="line-height: normal;">
perfectly. It makes it</div>
<div class="MsoNormal" style="line-height: normal;">
comfortable. It makes it</div>
<div class="MsoNormal" style="line-height: normal;">
economical. The price is $ ——.</div>
<div class="MsoNormal" style="line-height: normal;">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
There is no </div>
<div class="MsoNormal" style="line-height: normal;">
corset made which will give</div>
<div class="MsoNormal" style="line-height: normal;">
the same amount of </div>
<div class="MsoNormal" style="line-height: normal;">
satisfaction, wear, and </div>
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beauty </div>
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for the </div>
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price.</div>
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<br />
Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-55072978693920342802019-01-31T10:03:00.002-07:002019-01-31T10:03:31.738-07:00PoetryThis December I received a grant from the Edmonton Arts Council to complete a book of poetry on my province's natural regions. As a result, these days I am knee deep into poetry.<br />
<br />
My husband for Christmas bought me Stephen Fry's poetry-writing book, <a href="https://www.amazon.ca/Ode-Less-Travelled-Unlocking-Within/dp/0099509342" target="_blank">The Ode Less Travelled</a>. I've decided to do some of his exercises.<br />
<br />
First is his third exercise, which requires writing iambic pentameter with and without caesuras (pauses) and enjambment (unpunctuated line endings).<br />
<br />
1. Five pairs of iambic pentameter without caesura or enjambment:<br />
<br />
Outside the Window<br />
I see the snow and then again more snow;<br />
upon the streets and lawns the snow piles up.<br />
<br />
What I'd Like to Eat<br />
I wish to eat all day and night a cake,<br />
with frosting chocolate and thick on knife.<br />
<br />
A Recent Dream<br />
I dreamt I lost my schedule for class,<br />
and wandered round the school till half-past five.<br />
<br />
Pesky Tasks Overdue<br />
In Gabriel's room I'm cutting out old rot,<br />
since summer's inconvenient flood caused mold.<br />
<br />
My Body<br />
My gut annoys my means of dress and stance;<br />
my pants droop down but I must still stand tall.<br />
<br />
2. The same five topics and meanings but with enjambment in each pair and at least two caesuras<br />
<br />
<br />
<br />
Outside the Window<br />
I see the snow; it's there again. It piles <br />
upon the streets and lawns up here and there.<br />
<br />
What I'd Like to Eat<br />
I wish to eat a cake, made by a chef<br />
well-versed in frosting making, rich and thick.<br />
<br />
A Recent Dream<br />
I dreamt I lost my timetable. I lost <br />
my locker too, and missed my hardest class.<br />
<br />
Pesky Tasks Overdue<br />
The rain had filled the barrel. Water seeped<br />
inside the house, and baseboards warped with wet.<br />
<br />
Next is his Exercise 5, which asks for two quatrains of iambic tetrameter, two quatrains of alternating tetrameter and trimeter and two quatrains of trochaic tetrameter. I chose the subject FORESTS.<br />
<br />
The trees they crowd around me here<br />
in spite of wind, of cold, of snow.<br />
They stand above with cones aloft<br />
the pine, the larch, the fir, the spruce.<br />
<br />
A mound of ice sits by logs long dead<br />
uprooted years ago I'd guess<br />
I sit upon its hardened top<br />
to rest my wearied legs and soul.<br />
<br />
I can't believe the hardiness<br />
of life in this cold place<br />
I hardly know what nature thinks<br />
to start new life up here. <br />
<br />
If only I could see its mind<br />
discern its thoughts and heart.<br />
but nature's not a person, girl,<br />
just spirit hard and daft.<br />
<br />
Gather strength and gird my loins now <br />
Stand and shake my hair of snowflakes<br />
Take a breath and lift a snowshoe<br />
Step ahead and touch the icepack.<br />
<br />
Trod upon the drifts and ridges,<br />
Raise my eyes upon horizon<br />
March ahead and bravely sojourn<br />
Take your heart and hold it open. <br />
<br />
<br />Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-74567391461580997972018-12-31T17:21:00.003-07:002018-12-31T17:21:31.892-07:00Delany on Writing AND New Year's Eve Music CountdownI finished Samuel R. Delany's <i>On Writin</i>g, a compendium of essays, articles, and tipsheets by the <a href="https://en.wikipedia.org/wiki/Samuel_R._Delany" target="_blank">science fiction writer and critic</a>. In this collection, he sometimes comes across as a cranky old man, but he has important things to say, and his varied career makes him worth listening to.<br />
<br />
The following excerpts are from "A <i>Poetry Project Newsletter</i> Interview: A Silent Interview."<br />
<br />
<blockquote class="tr_bq">
A communal task that art accomplishes--particularly the verbal arts of fiction, poetry, and criticism--is to help with the all-important shifts in discourse that must occur for there to be meaningful historical change.<br />
<br />
Because it <i>is </i>a communal task, because no<i> single</i> work of art can accomplish such a discursive shift by itself, the artist (responsible only for her or his own work) <i>doesn't </i>have to worry abot preaching. It does no good; don't waste your time. It's far more effective to look at a situation and dramatize, in however complex allegorical terms you'd like, what it is you've seen. (300)</blockquote>
I like the way he insists that a single work in itself can't be burdened with the responsibility of "changing the world," but that a collective action can do that. Delany rephrases this idea in terms of censorship against an individual text:<br />
<blockquote class="tr_bq">
For the same reasons that poets and artists don't have to worry about preaching, the general public doesn't need to worry about imposing censorship. "For poetry makes nothing happen," W.H. Auden wrote in his elegy for Yeats. That priviledged lack of power of the single work of art--the single poem, say,--is precisely what, I feel, Auden was getting at.<br />
<br />
Many works of art taken together, however, through the very process by which we learn to read them, establish discourses--discourses of the possible, discourses of the probable, discourses of desire.(301)</blockquote>
An attack on a single work is not enough to weaken the discourse from which the work arises.<br />
<br />
Delany doesn't care for utopias, he says, but he knows something about utopian and dystopian fiction. He mentions three utopian/dystopian pairings (he calls them "image clusters"): The New Jerusalem versus Brave New World, which he says is an urban love/hate pairing, Arcadia versus Land of the Flies, which is a rural pairing, and the Techno-Junk City versus the Empire of the Afternoon (302-03).<br />
<br />
I have a good sense of the first five of these categories, but I don't know what Empire of the Afternoon might be. Perhaps someone can enlighten me? Post me something.<br />
<br />
Finally is a statement that reflects on my series on light and shadows:<br />
<br />
<blockquote class="tr_bq">
Since Wagner at least, silence has been considered the proper mode in which to appreciate the work of art: Wagner was the first major artist to forbid talking in the theater during his concerts and operas. He began the custom of not applauding between movements of a symphony, sonata, concerto, suite, or string quartet. Also, he was the first person, during performances of his operas at Bayreuth, to turn off the house lights in the theatre and have illumination only on the stage.</blockquote>
<blockquote class="tr_bq">
Silence.</blockquote>
<blockquote class="tr_bq">
Darkness.</blockquote>
<blockquote class="tr_bq">
For better or worse, this aligns art more closely with death: it moves us formally toward a merger with the unknown. (309)</blockquote>
Artists must turn away from the known, the day, that which is immediately perceivable.Art, in its association with the unknown, the night, that which is not visible, frightens some people.<br />
<br />
_____<br />
<br />
Here are my favourite songs of 2018:<br />
<br />
BlocBoy JB feat. Drake, <a href="https://www.youtube.com/watch?v=NV-3s2wwC8c" target="_blank">"Look Alive"</a><br />
Leon Bridges,<a href="https://www.youtube.com/watch?v=cztfyj1dVgk" target="_blank"> </a><a href="https://www.youtube.com/watch?v=cztfyj1dVgk" target="_blank">"Bad Bad News"</a><br />
Florence + the Machine, <a href="https://www.youtube.com/watch?v=5GHXEGz3PJg" target="_blank">"Hunger"</a><br />
Parquet Courts,<a href="https://www.youtube.com/watch?v=eZXS8Jpkiac" target="_blank"> </a><a href="https://www.youtube.com/watch?v=eZXS8Jpkiac" target="_blank">"Wide Awake"</a> <br />
Janelle Monáe, <a href="https://youtu.be/tGRzz0oqgUE" target="_blank">"Make Me Feel"</a><br />
Rosie and the Riveters, <a href="https://www.youtube.com/watch?v=hpTKNDVhJ0Q" target="_blank">"Ms. Behave"</a><br />
Erin Costelo, <a href="https://www.youtube.com/watch?v=jbZpeuEbC7Q" target="_blank">"All in Your Head" </a><br />
Shad,<a href="https://www.youtube.com/watch?v=mVHv6Z_UhKo" target="_blank">"The Fool Pt. 1 (Get It Got It Good)" </a><br />
Melissa Laveaux, <a href="https://www.youtube.com/watch?v=BFZSXtT0sO0" target="_blank">"Nan Fon Bwa"</a><br />
Jeremy Dutcher, <a href="https://www.youtube.com/watch?time_continue=68&v=NnDJNoNVqGw" target="_blank">“Mehcinut"</a> <br />
<a href="https://youtu.be/xTlNMmZKwpA" target="_blank"></a> Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-54083200068631217852018-11-21T16:13:00.001-07:002018-11-21T16:13:18.807-07:00Prep for New Year's Eve Music CountdownOn New Year's Eve, I like to make a playlist of my favourite songs of the year. I'm not great at keeping on top of new music, however, and I usually have to scramble after renominating Bruno Mars and Mark Ronson's <a href="https://www.youtube.com/watch?v=OPf0YbXqDm0" target="_blank">"Uptown Funk" </a>from 2014. <br />
<br />
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="361" src="https://www.youtube.com/embed/VYOjWnS4cMY" width="642"></iframe><br />
<br />
This year I will be different! I am going through Billboards's "<a href="https://www.billboard.com/articles/news/list/8459289/best-songs-of-2018-top-50" target="_blank">Top 50 of the Year (So Far)</a>" from June using the family Spotify account.<br />
<br />
Of the fifty, I like the following (I really like the ones with *):<br />
<br />
48. SAINt JHN, <a href="https://open.spotify.com/track/4A5owiyEiYxDuDPvTrRCxS?si=RHP-QMRaT8OKLb1uC00dlA" target="_blank">"I Heard You Got Too Litt Last Night"</a><br />
*46. BlocBoy JB feat. Drake, <a href="https://www.youtube.com/watch?v=NV-3s2wwC8c" target="_blank">"Look Alive"</a><br />
43. Arctic Monkeys, <a href="https://open.spotify.com/track/4MPTj8lMMvxLwT3EwuXFop?si=XkIkybHaTHWA9dQ73gf_wA" target="_blank">"Four Out of Five"</a><br />
42. The Weeknd, <a href="https://open.spotify.com/track/4MPTj8lMMvxLwT3EwuXFop?si=8kN-_cMzRiW5ZXCtv-S8vg" target="_blank">"Call Out My Name"</a> <br />
*39. Leon Bridges, <a href="https://open.spotify.com/track/7FxzgizJRGTQ3fxUqfvljg?si=scMZ3bQkSEOT-bmlBXXjVg" target="_blank">"Bad Bad News"</a><br />
*38. Florence + the Machine, <a href="https://open.spotify.com/track/6HJcuxVgYjxcYDnPG0ystc?si=MwYvvsr_QSOd3xeX9310og" target="_blank">"Hunger"</a><br />
37. Jessie Reyez, <a href="https://open.spotify.com/track/0jjHmmFPqKM6nI8EIAxgYB?si=TXr2i0mLTheYuZMZ-UwROA" target="_blank">"Body Count"</a><br />
*33. Parquet Courts, <a href="https://open.spotify.com/track/4zKNNVsZ6GOzhTzXHwkMgp?si=j_ZR-h8aQYa9Xqhl_1aFtw" target="_blank">"Wide Awake"</a> <br />
*32. Kendrick Lamar, Jay Rock, Future & James Blake, <a href="https://open.spotify.com/track/51rXHuKN8Loc4sUlKPODgH?si=aGib4rsaRk6IvmGL7JFmtg" target="_blank">"King's Dead"</a><br />
28. Cardi B, <a href="https://open.spotify.com/track/2Yl4OmDby9iitgNWZPwxkd?si=w0MFaq9nS_iiNmrDWL7HXA" target="_blank">"Be Careful"</a><br />
23. Nicky Jam & J Balvin, <a href="https://open.spotify.com/track/39N9RPD9MRb5WmoLzNzPeA?si=4zEfLR9EQ9e4FrYXcUv2KA" target="_blank">"X"</a><br />
19. Camila Cabello, <a href="https://open.spotify.com/track/4eWQlBRaTjPPUlzacqEeoQ?si=ILHBNRL-RJmIF4geA5e1bQ" target="_blank">"Never Be the Same"</a><br />
17. Kali Uchis feat. Tyler the Creator & Bootsy Collins, <a href="https://open.spotify.com/track/1otG6j1WHNvl9WgXLWkHTo?si=d7l0cpmYSNi-jxmhxgRQQA" target="_blank">"After the Storm"</a><br />
16. Migos, <a href="https://open.spotify.com/track/2UVbBKQOdFAekPTRsnkzcf?si=9VzLexg-TfuL5lujkOnuJw" target="_blank">"Stir Fry"</a> <br />
9. King Princess, <a href="https://youtu.be/LNxWTS25Tbk" target="_blank">"1950"</a><br />
*8. Janelle Monáe, <a href="https://youtu.be/tGRzz0oqgUE" target="_blank">"Make Me Feel"</a><br />
6. Troye Sivan, <a href="https://youtu.be/k5TqNsr6YuQ" target="_blank">"My My My!"</a><br />
5. Kendrick Lamar & SZA, <a href="https://youtu.be/JQbjS0_ZfJ0" target="_blank">"All the Stars"</a> <br />
*4. Childish Gambino, <a href="https://youtu.be/VYOjWnS4cMY" target="_blank">"This Is America"</a> <br />
*1. Cardi B feat. Bad Bunny & J Balvin, <a href="https://youtu.be/xTlNMmZKwpA" target="_blank">"I Like It"</a><a href="https://youtu.be/xTlNMmZKwpA" target="_blank"> </a> <br />
<br /><strong></strong>
<b><b> </b> </b>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-23934053838268943972018-11-11T14:45:00.001-07:002018-11-20T14:47:10.927-07:00Drama NotesI flipping through a printout of a short play I wrote and saw some notes I'd written on the back of a page. I should keep these notes in mind for myself, so why not share those notes with others?<br />
<br />
I wrote the play as part of a play writing workshop held at the University of Alberta's drama department. One year the workshop was run by Colleen Murphy, and another year it was run by Meg Braem.<br />
<br />
The comments likely come from Colleen Murphy, but Meg Braem might also have said them. Below the notes are my elaborations.<br />
<ol>
<li>"Without foreshadowing, drama is melodrama."<br /><br />Three literary terms are in operation here. Foreshadowing is the hinting of details that will happen later in the plot chronology. Drama is the telling of a narrative in front of a live audience. Melodrama is a subset of drama that arose in the nineteenth century in which music played throughout the performance as a way to set mood and affect the audience's emotions. These days, soap operas continue in the tradition of melodrama by having nondiegetic music--music played unrelated to events in the story and unheard by the characters--play continuously. In melodrama, emotions are stark and strong. Good and evil are easily discernible, and though evil is powerful, ultimately good prevails. <br /><br />To me, the quotation is arguing that drama and melodrama can seem similar. A drama can have the same outcome as a melodrama--good vanquishes evil--and generate strong emotions. However, drama establishes a rationale for that outcome in some way. In melodrama, rationale is besides the point. The audience knows how things will end, and they want that ending, and they don't care how that ending comes about. Melodrama is weak on characterization and lacks sophisticated plots. <br /><br />Superhero films are melodramas. Even if some characters may, on first glance, seem complex, they really aren't. Deadpool is a good guy, in the end: he is an asshole to bad guys and is rude to good guys, but his actions operate on the side of goodness. <br /><br />A happy-ending drama has to work for its happy ending and its emotional effects. Its happy ending is deserved, rather than inevitable. If the happy ending arises out of the blue, with no explanation, it is melodrama. William Shakespeare himself edged his plays towards melodrama (keeping in mind that "melodrama" is an anachronistic term to use). In a plot that threatens murder and rape, <i>Measure for Measure</i> has a surprise happy ending.<br /></li>
<li>"Tragedy is when the past leaks into the present and changes the future."<br /><br />"Tragedy" here is the original dramatic idea that Greek playwrights represented a few hundred years before the Common Era. Sophocles's Oedipus Rex well demonstrates the principle. Oedipus unknowingly killed his father and married his mother. In the present, Oedipus decides to find out what is the source of his kingdom's suffering, and he tracks down himself. He blinds himself and withdraws from the world.<br /></li>
<li>"Can a narcissist be humourous?"<br /><br />A good question. I would think not.<br /></li>
<li>"Negative action on stage is different from positive action. Negative action does not indicate agency."<br /><br />Negative action is action not taken. For example, a person may have the opportunity to steal a purse on a nearby park bench and decide not to steal it. Not-acting is an action: a decision related to action. Though in the lived world a person not stealing a purse is good. In drama, a character not acting is not a real action. Such a character is not an agent: that character does nothing. A lack of agency in a character makes that character passive. Passive characters are not much fun to watch, and they are counter what drama is: actions on a stage. </li>
<li>"In drama, the meaning of life is more important than life itself, said Edward Bond."<br /><br />I couldn't find a source for this quotation, though <a href="http://www.edwardbond.org/" target="_blank">Edward Bond is a playwright whose philosophy seems amenable to this idea. </a>To me, this statement refers to plot and character. A character doesn't have to stay alive in a play. A character should, however, help to explain the meaning of life (what meaning life has). A character may need to die in order to communicate the meaning of life.</li>
<li>"Earnestness is saying, 'This is important.' Preaching is telling the audience how to think."<br /><br />The difference is in quality. A preacher has an answer, whereas an earnest person, though he or she may have an answer, prefers to call attention to an issue without "solving" it.</li>
<li>"Arthur Miller said 'right' versus 'right' = drama."<br /><br />I traced this idea to Georg Wilhelm Friedrich Hegel (via Julia Peters's "A Theory of Tragic Experience According to Hegel" among other places). Hegel appears to be discussing <i>Antigone</i> by Sophocles. The "rightness" is from the opponent's point of view. Both opponents see themselves as operating on moral grounds; it's just that more than one moral ground is possible. (In melodrama, one opponent may takes an avowedly immoral position.)</li>
</ol>
<br />Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-52759313381237845242018-10-31T10:42:00.001-06:002018-10-31T10:42:39.124-06:00GenerationFreed from the burden of the light and shadows series I completed in my last post, I have written some poetry. I have also been overcome by two new obsessions.<br />
<br />
I have become obsessed with the villanelle, a six-stanza poem of five tercets (three lines) with a final quatrain (four lines). The villanelle has only two end-rhyme sounds, which alternate through the entire poem in an A-B-A pattern. The first tercet's first and third lines reappear, alternating, as the last lines of the tercets that follow it. The quatrain's last two lines are the two repeating lines (that is, the first and third lines of the first tercet).<br />
<br />
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The most famous English villanelle is <a href="https://www.poets.org/poetsorg/poem/do-not-go-gentle-good-night" target="_blank">Dylan Thomas's "Do Not Go Gentle into That Good Night."</a> I use this poem to help me remember the villanelle form.<br />
<br />
"Villanelle" is a French word, and the form originated as a French-language form on the subject of country life. English writers have since taken the form up. I decided to write a villanelle about a hamlet northwest of my hometown. <a href="https://en.wikipedia.org/wiki/Villeneuve,_Alberta" target="_blank">Villeneuve</a> is a farming community settled by Métis and French Canadians in the late 1890s. That is, I am writing a Villeneuve villanelle. <br />
<br />
While doing internet research, I found a <a href="https://www.poem-generator.org.uk/villanelle/" target="_blank">villanelle generator</a>. Below is the villanelle I/it generated: <br />
<br />
<h1>
Pere Lacombe's Torment - The Villanelle Of The Farm<br />
</h1>
<h3>
A Villanelle
by Anonymous</h3>
Pere Lacombe couldn't stop thinking about the farm<br />
It was just so furrowed and flat<br />
Never had he known anything so underarm<br />
<br />
That morning, Pere Lacombe was shocked by the alarm<br />
He had to calm himself with a rat<br />
Pere Lacombe couldn't stop thinking about the farm<br />
<br />
Later, Pere Lacombe was spooked by a charm<br />
He tried to focus on a hat<br />
Never had he known anything so underarm<br />
<br />
Madame Boulanger tried to distract him with a smarm<br />
Said it was time to start thinking about a chat<br />
Pere Lacombe couldn't stop thinking about the farm<br />
<br />
Pere Lacombe took action like an arm<br />
The farm was like a toxic format<br />
Never had he known anything so underarm<br />
<br />
Pere Lacombe nosedived like a harvested disarm<br />
His mind turned into a tat<br />
Pere Lacombe couldn't stop thinking about the farm<br />
Never had he known anything so underarm<br />
<br />
(Note that "underarm" and "rat" were supplied by the generator. I supplied <a href="https://edmontonjournal.com/news/local-news/dec-11-1916-alberta-loses-missionary-pioneer-father-lacombe" target="_blank">"Pere Lacombe</a>," "Madame Boulanger," "farm," "flat," "harvested," and "furrowed." <br />
<br />
The poem is quite terrible; yet it has a terrible beauty. So now I am also obsessed by generators.<br />
<br />
Generators are computer programs that produce documents (a sentence, a paragraph, a poem, even an entire scholarly essay) using terminology and format rules from a genre of writing. Generators are a low-level form of artificial intelligence in that they are supposed to mimic documents that humans create. <br />
<br />
The generators tend to be sarcastic. They operate on the assumption that some kinds of writing are not creative or can easily be mimicked by non-writers.<br />
<br />
However—and the however is something that I wrote about in my dissertation—people need rules to understand things. Knowledge is based on previous knowledge. Along with this knowledge are patterns of construction, or rules.<br />
<br />
One can think of these "rules" not as a limitation but as a context, a shared body of knowledge. Without a shared body of knowledge, people would not be able to understand each other. For example, a non-quilter would not be able to follow a conversation among a group of quilters. <a href="https://www.nationalquilterscircle.com/article/glossary-of-quilting-terms/" target="_blank">With a shared body of knowledge, including vocabulary</a>, quilters can discuss complex quilt concepts without having to define their terms all the time. <br />
<br />
If a genre has a simple formula, a computer programmer can easily create a generator; but as the above example of the generated villanelle shows, generators can do only so much. Some are better than others, of course.<br />
<br />
Here are some of my favourite generators: <br />
<ul>
<li><a href="http://canlitgenerator.com/" target="_blank">CanLit Premise Generator<br /></a>Example: "A time traveler absent-mindedly battles with a Wendigo, haunted by the spectre of their grandfather's mistakes."<br /></li>
<li><a href="https://lingojam.com/EnglishtoShakespearean" target="_blank">English to Shakespeare Translator </a>(not a generator in name, but, really, it is a generator) <br /><br />Example: "I don't know what to dress as for Hallowe'en." > "I knoweth not what to dresseth as f'r hallowe'en."<br /></li>
<li><a href="http://insult.dream40.org/" target="_blank">Mr. William Shakespeare's Insult Generator</a><br /><br />Example: "Thou art a deformed thief."</li>
</ul>
<ul>
<li><a href="https://www.plot-generator.org.uk/" target="_blank">Plot Generator</a> (avoid "naughty" words: the short story generator considered "drug" a naughty word)<br /><br />Example: "A teacher from Jacksonville is delighted when she gets the chance to
take part in the final of Bake Off. However, her chances are scuppered
when she finds out her arch rival is also going to compete.
Unexpectedly, the teacher is bitten by a zombie and therefore is
disqualified from competing." </li>
</ul>
<ul>
</ul>
Generators are fairly easy to write in Javascript. Inspired by the CanLit Premise Generator, I wrote my own generator for a class I took on web programming: <br />
<br />
<ul>
<li><a href="http://vivianzenari.com/funandgames.html" target="_blank">The Canadian Crystal Ball</a></li>
</ul>
<br />
PS: Here is my own villanelle (not auto-generated and still in progress):<br />
<br />
Villeneuve<br />
<br />
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<br />Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-29459464274570628012018-10-12T14:41:00.001-06:002018-11-13T08:26:25.126-07:00Shadows and Light Series Finale: Comedy to TragedyMy final challenge is to recasting a short play so that the heroes become villains though with the same dialogue. My goal is to change a comedy into a tragedy.<br />
<br />
I have recently read Anne-Marie MacDonald's <a href="http://annmariemacdonald.com/works/theatre/goodnight-desdemona-good-morning-juliet/" target="_blank">Good Morning Desdemona (Good Night Juliet</a>), which has a contemporary character dream her way into two Shakespeare plays such that she interacts with characters and plots of <a href="http://shakespeare.mit.edu/othello/full.html" target="_blank">Othello </a>and <a href="http://shakespeare.mit.edu/romeo_juliet/index.html" target="_blank">Romeo and Juliet</a>. MacDonald wrote new lines for Shakespeare's characters and altered the personalities of Desdemona and Juliet so that they are not the sweet, gentle young ladies of the original.<br />
<br />
I don't feel up to the task of pulling a MacDonald. Unveiling a multi-act play in a blog post doesn't seem practicable, either. I don't want to do elaborate alterations. I will stick with Shakespeare, though, since I know his work best, and
his work is in the public domain and easily obtained. His plays aren't
short, though. I will have to use one scene instead of one whole play. <br />
<br />
Yet how else can I turn a hero into a villain but through changes to dialogue? After all, the driver of a play is the dialogue. What a character says determines what kind of character it is. <br />
<br />
I can, however, import dialogue from one play to another, such that the dialogue itself is unchanged, though the speaker and context are different. <br />
<br />
<br />
A cheerful closing scene in a Shakespeare play is in <a href="http://shakespeare.mit.edu/tempest/index.html" target="_blank">The Tempest</a>, whereby Prospero forgives everyone, and his daughter marries the King of Naples's noble son.<br />
<br />
What, however, if Prospero were playing the long con like Iago and Richard III were? And he regrets some of what he has done (though it were done)? The epilogue delivered to the audience would have a different tone.<br />
<br />
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
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<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3;">
<b><span style="font-family: "times new roman" , serif; font-size: 13.5pt;">The
Tempest, Act 5, SCENE I. Before PROSPERO'S cell.</span></b></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Enter
PROSPERO in his magic robes, and ARIEL</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="speech1"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech1;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="1"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Now does my project gather to a head:</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="2">My charms crack not; my spirits obey; and time</a><br />
<a href="https://www.blogger.com/null" name="3">Goes upright with his carriage. How's the day?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech2"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech2;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="4"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">On the sixth hour; at which time, my lord,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="5">You said our work should cease.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech3"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech3;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="6"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I did say so,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="7">When first I raised the tempest. Say, my spirit,</a><br />
<a href="https://www.blogger.com/null" name="8">How fares the king and's followers?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech4"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech4;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="9"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Confined together</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="10">In the same fashion as you gave in charge,</a><br />
<a href="https://www.blogger.com/null" name="11">Just as you left them; all prisoners, sir,</a><br />
<a href="https://www.blogger.com/null" name="12">In the line-grove which weather-fends your cell;</a><br />
<a href="https://www.blogger.com/null" name="13">They cannot budge till your release. The king,</a><br />
<a href="https://www.blogger.com/null" name="14">His brother and yours, abide all three distracted</a><br />
<a href="https://www.blogger.com/null" name="15">And the remainder mourning over them,</a><br />
<a href="https://www.blogger.com/null" name="16">Brimful of sorrow and dismay; but chiefly</a><br />
<a href="https://www.blogger.com/null" name="17">Him that you term'd, sir, 'The good old lord Gonzalo;'</a><br />
<a href="https://www.blogger.com/null" name="18">His tears run down his beard, like winter's drops</a><br />
<a href="https://www.blogger.com/null" name="19">From eaves of reeds. Your charm so strongly works 'em</a><br />
<a href="https://www.blogger.com/null" name="20">That if you now beheld them, your affections</a><br />
<a href="https://www.blogger.com/null" name="21">Would become tender.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech5"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech5;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="22"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Dost thou think so, spirit?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech6"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech6;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="23"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Mine would, sir, were I human.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech7"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech7;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="24">Shall I be plain? I wish the bastards dead;<br />
And I would have it suddenly perform'd.<br />
What sayest thou? speak suddenly; be brief. (Richard III 4.2.18-20)</a><span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="36"></a></span><span style="mso-bookmark: 36;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech8"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech8;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="37"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I'll fetch them, sir.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Exit</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech9"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech9;"></span><span style="background: yellow; font-family: "times new roman" , serif;"> </span></div>
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I have almost forgot the taste of fears;<br />
The time has been, my senses would have cool'd<br />
To hear a night-shriek; and my fell of hair<br />
Would at a dismal treatise rouse and stir<br />
As life were in't: I have supp'd full with horrors;<br />
Direness, familiar to my slaughterous thoughts<br />
Cannot once start me. (Macbeth 5.5.5-14)<span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="62"></a></span><span style="mso-bookmark: 62;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Solemn
music</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Re-enter
ARIEL before: then ALONSO, with a frantic gesture, attended by GONZALO;
SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO they all
enter the circle which PROSPERO had made, and there stand charmed; which
PROSPERO observing, speaks:</span></i></div>
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Time, thou anticipatest my dread exploits:<br />
The flighty purpose never is o'ertook<br />
Unless the deed go with it; from this moment<br />
The very firstlings of my heart shall be<br />
The firstlings of my hand. (Macbeth 4.1.144-48)</div>
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<a href="https://www.blogger.com/null" name="speech10"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech10;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
I conjure you, by that which you profess,<br />
Howe'er you come to know it, answer me:<br />
Though you untie the winds and let them fight<br />
Against the churches; though the yesty waves<br />
Confound and swallow navigation up;<br />
Though bladed corn be lodged and trees blown down;<br />
Though castles topple on their warders' heads;<br />
Though palaces and pyramids do slope<br />
Their heads to their foundations; though the treasure<br />
Of nature's germens tumble all together,<br />
Even till destruction sicken; answer me<br />
To what I ask you. (Macbeth 4.1.50-61)<span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="106"></a></span><span style="mso-bookmark: 106;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span>
<br />
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<a href="https://www.blogger.com/null" name="speech11"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech11;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="107"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I drink the air before me, and return</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="108">Or ere your pulse twice beat.</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Exit</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech12"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">GONZALO</span></b></a><span style="mso-bookmark: speech12;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="109"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">All torment, trouble, wonder and amazement</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="110">Inhabits here: some heavenly power guide us</a><br />
<a href="https://www.blogger.com/null" name="111">Out of this fearful country!</a></span></div>
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<a href="https://www.blogger.com/null" name="speech13"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech13;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="112"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Behold, sir king,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="113">The wronged Duke of Milan, Prospero:</a><br />
<a href="https://www.blogger.com/null" name="114">For more assurance that a living prince</a><br />
<a href="https://www.blogger.com/null" name="115">Does now speak to thee, I embrace thy body;</a><br />
<a href="https://www.blogger.com/null" name="116">And to thee and thy company I bid</a><br />
<a href="https://www.blogger.com/null" name="117">A hearty welcome.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech14"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech14;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="118"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Whether thou best he or no,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="119">Or some enchanted trifle to abuse me,</a><br />
<a href="https://www.blogger.com/null" name="120">As late I have been, I not know: thy pulse</a><br />
<a href="https://www.blogger.com/null" name="121">Beats as of flesh and blood; and, since I saw thee,</a><br />
<a href="https://www.blogger.com/null" name="122">The affliction of my mind amends, with which,</a><br />
<a href="https://www.blogger.com/null" name="123">I fear, a madness held me: this must crave,</a><br />
<a href="https://www.blogger.com/null" name="124">An if this be at all, a most strange story.</a><br />
<a href="https://www.blogger.com/null" name="125">Thy dukedom I resign and do entreat</a><br />
<a href="https://www.blogger.com/null" name="126">Thou pardon me my wrongs. But how should Prospero</a><br />
<a href="https://www.blogger.com/null" name="127">Be living and be here?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech15"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech15;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="128"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">First, noble friend,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="129">Let me embrace thine age, whose honour cannot</a><br />
<a href="https://www.blogger.com/null" name="130">Be measured or confined.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech16"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">GONZALO</span></b></a><span style="mso-bookmark: speech16;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="131"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Whether this be</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="132">Or be not, I'll not swear.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech17"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech17;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="133"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">You do yet taste</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="134">Some subtilties o' the isle, that will not let you</a><br />
<a href="https://www.blogger.com/null" name="135">Believe things certain. Welcome, my friends all!</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Aside to
SEBASTIAN and ANTONIO</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
When devils will the blackest sins put on, <br />
They do suggest at first with heavenly shows, <br />
As I do now (Iago, Othello 2.3.351-53)<br />
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<span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="139"></a></span><span style="mso-bookmark: 139;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech18"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">SEBASTIAN</span></b></a><span style="mso-bookmark: speech18;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="140"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">[Aside] The devil speaks in him.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech19"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech19;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
Slave, I have set my life upon a cast,<br />
And I will stand the hazard of the die: (Richard III 5.4.9-10)<span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="146"></a></span><span style="mso-bookmark: 146;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span>
<br />
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<a href="https://www.blogger.com/null" name="speech20"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech20;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="147"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">If thou be'st Prospero,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="148">Give us particulars of thy preservation;</a><br />
<a href="https://www.blogger.com/null" name="149">How thou hast met us here, who three hours since</a><br />
<a href="https://www.blogger.com/null" name="150">Were wreck'd upon this shore; where I have lost--</a><br />
<a href="https://www.blogger.com/null" name="151">How sharp the point of this remembrance is!--</a><br />
<a href="https://www.blogger.com/null" name="152">My dear son Ferdinand.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech21"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech21;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="153"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I am woe for't, sir.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech22"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech22;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="154"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Irreparable is the loss, and patience</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="155">Says it is past her cure.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech23"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech23;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="156"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I rather think</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="157">You have not sought her help, of whose soft grace</a><br />
<a href="https://www.blogger.com/null" name="158">For the like loss I have her sovereign aid</a><br />
<a href="https://www.blogger.com/null" name="159">And rest myself content.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech24"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech24;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="160"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">You the like loss!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech25"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech25;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="161"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">As great to me as late; and, supportable</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="162">To make the dear loss, have I means much weaker</a><br />
<a href="https://www.blogger.com/null" name="163">Than you may call to comfort you, for I</a><br />
<a href="https://www.blogger.com/null" name="164">Have lost my daughter.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech26"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech26;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="165"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">A daughter?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="166">O heavens, that they were living both in Naples,</a><br />
<a href="https://www.blogger.com/null" name="167">The king and queen there! that they were, I wish</a><br />
<a href="https://www.blogger.com/null" name="168">Myself were mudded in that oozy bed</a><br />
<a href="https://www.blogger.com/null" name="169">Where my son lies. When did you lose your daughter?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech27"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech27;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="170"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">In this last tempest. I perceive these lords</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="171">At this encounter do so much admire</a><br />
<a href="https://www.blogger.com/null" name="172">That they devour their reason and scarce think</a><br />
<a href="https://www.blogger.com/null" name="173">Their eyes do offices of truth, their words</a><br />
<a href="https://www.blogger.com/null" name="174">Are natural breath: but, howsoe'er you have</a><br />
<a href="https://www.blogger.com/null" name="175">Been justled from your senses, know for certain</a><br />
<a href="https://www.blogger.com/null" name="176">That I am Prospero and that very duke</a><br />
<a href="https://www.blogger.com/null" name="177">Which was thrust forth of Milan, who most strangely</a><br />
<a href="https://www.blogger.com/null" name="178">Upon this shore, where you were wreck'd, was landed,</a><br />
<a href="https://www.blogger.com/null" name="179">To be the lord on't. No more yet of this;</a><br />
<a href="https://www.blogger.com/null" name="180">For 'tis a chronicle of day by day,</a><br />
<a href="https://www.blogger.com/null" name="181">Not a relation for a breakfast nor</a><br />
<a href="https://www.blogger.com/null" name="182">Befitting this first meeting. Welcome, sir;</a><br />
<a href="https://www.blogger.com/null" name="183">This cell's my court: here have I few attendants</a><br />
<a href="https://www.blogger.com/null" name="184">And subjects none abroad: pray you, look in.</a><br />
<a href="https://www.blogger.com/null" name="185">My dukedom since you have given me again,</a><br />
<a href="https://www.blogger.com/null" name="186">I will requite you with as good a thing;</a><br />
<a href="https://www.blogger.com/null" name="187">At least bring forth a wonder, to content ye</a><br />
<a href="https://www.blogger.com/null" name="188">As much as me my dukedom.</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Here
PROSPERO discovers FERDINAND and MIRANDA playing at chess</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech28"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">MIRANDA</span></b></a><span style="mso-bookmark: speech28;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="189"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Sweet lord, you play me false.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech29"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">FERDINAND</span></b></a><span style="mso-bookmark: speech29;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="190"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">No, my dear'st love,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="191">I would not for the world.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech30"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">MIRANDA</span></b></a><span style="mso-bookmark: speech30;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="192"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Yes, for a score of kingdoms you should wrangle,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="193">And I would call it, fair play.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech31"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech31;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="194"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">If this prove</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="195">A vision of the Island, one dear son</a><br />
<a href="https://www.blogger.com/null" name="196">Shall I twice lose.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech32"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">SEBASTIAN</span></b></a><span style="mso-bookmark: speech32;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="197"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">A most high miracle!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech33"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">FERDINAND</span></b></a><span style="mso-bookmark: speech33;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="198"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Though the seas threaten, they are merciful;</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="199">I have cursed them without cause.</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Kneels</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech34"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech34;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="200"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Now all the blessings</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="201">Of a glad father compass thee about!</a><br />
<a href="https://www.blogger.com/null" name="202">Arise, and say how thou camest here.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech35"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">MIRANDA</span></b></a><span style="mso-bookmark: speech35;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="203"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">O, wonder!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="204">How many goodly creatures are there here!</a><br />
<a href="https://www.blogger.com/null" name="205">How beauteous mankind is! O brave new world,</a><br />
<a href="https://www.blogger.com/null" name="206">That has such people in't!</a></span></div>
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<a href="https://www.blogger.com/null" name="speech36"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech36;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="207"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">'Tis new to thee.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech37"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech37;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="208"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">What is this maid with whom thou wast at play?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="209">Your eld'st acquaintance cannot be three hours:</a><br />
<a href="https://www.blogger.com/null" name="210">Is she the goddess that hath sever'd us,</a><br />
<a href="https://www.blogger.com/null" name="211">And brought us thus together?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech38"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">FERDINAND</span></b></a><span style="mso-bookmark: speech38;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="212"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Sir, she is mortal;</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="213">But by immortal Providence she's mine:</a><br />
<a href="https://www.blogger.com/null" name="214">I chose her when I could not ask my father</a><br />
<a href="https://www.blogger.com/null" name="215">For his advice, nor thought I had one. She</a><br />
<a href="https://www.blogger.com/null" name="216">Is daughter to this famous Duke of Milan,</a><br />
<a href="https://www.blogger.com/null" name="217">Of whom so often I have heard renown,</a><br />
<a href="https://www.blogger.com/null" name="218">But never saw before; of whom I have</a><br />
<a href="https://www.blogger.com/null" name="219">Received a second life; and second father</a><br />
<a href="https://www.blogger.com/null" name="220">This lady makes him to me.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech39"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech39;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="221"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I am hers:</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="222">But, O, how oddly will it sound that I</a><br />
<a href="https://www.blogger.com/null" name="223">Must ask my child forgiveness!</a></span></div>
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<a href="https://www.blogger.com/null" name="speech40"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech40;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="224"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">There, sir, stop:</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="225">Let us not burthen our remembrance with</a><br />
<a href="https://www.blogger.com/null" name="226">A heaviness that's gone.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech41"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">GONZALO</span></b></a><span style="mso-bookmark: speech41;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="227"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I have inly wept,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="228">Or should have spoke ere this. Look down, you god,</a><br />
<a href="https://www.blogger.com/null" name="229">And on this couple drop a blessed crown!</a><br />
<a href="https://www.blogger.com/null" name="230">For it is you that have chalk'd forth the way</a><br />
<a href="https://www.blogger.com/null" name="231">Which brought us hither.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech42"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech42;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="232"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I say, Amen, Gonzalo!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech43"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">GONZALO</span></b></a><span style="mso-bookmark: speech43;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="233"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Was Milan thrust from Milan, that his issue</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="234">Should become kings of Naples? O, rejoice</a><br />
<a href="https://www.blogger.com/null" name="235">Beyond a common joy, and set it down</a><br />
<a href="https://www.blogger.com/null" name="236">With gold on lasting pillars: In one voyage</a><br />
<a href="https://www.blogger.com/null" name="237">Did Claribel her husband find at Tunis,</a><br />
<a href="https://www.blogger.com/null" name="238">And Ferdinand, her brother, found a wife</a><br />
<a href="https://www.blogger.com/null" name="239">Where he himself was lost, Prospero his dukedom</a><br />
<a href="https://www.blogger.com/null" name="240">In a poor isle and all of us ourselves</a><br />
<a href="https://www.blogger.com/null" name="241">When no man was his own.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech44"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech44;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="242"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">[To FERDINAND and MIRANDA] Give me your hands:</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="243">Let grief and sorrow still embrace his heart</a><br />
<a href="https://www.blogger.com/null" name="244">That doth not wish you joy!</a></span></div>
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<a href="https://www.blogger.com/null" name="speech45"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">GONZALO</span></b></a><span style="mso-bookmark: speech45;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="245"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Be it so! Amen!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Re-enter
ARIEL, with the Master and Boatswain amazedly following</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="246"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">O, look, sir, look, sir! here is more of us:</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="247">I prophesied, if a gallows were on land,</a><br />
<a href="https://www.blogger.com/null" name="248">This fellow could not drown. Now, blasphemy,</a><br />
<a href="https://www.blogger.com/null" name="249">That swear'st grace o'erboard, not an oath on shore?</a><br />
<a href="https://www.blogger.com/null" name="250">Hast thou no mouth by land? What is the news?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech46"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Boatswain</span></b></a><span style="mso-bookmark: speech46;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="251"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">The best news is, that we have safely found</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="252">Our king and company; the next, our ship--</a><br />
<a href="https://www.blogger.com/null" name="253">Which, but three glasses since, we gave out split--</a><br />
<a href="https://www.blogger.com/null" name="254">Is tight and yare and bravely rigg'd as when</a><br />
<a href="https://www.blogger.com/null" name="255">We first put out to sea.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech47"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech47;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="256"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">[Aside to PROSPERO] Sir, all this service</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="257">Have I done since I went.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech48"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech48;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="258"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">[Aside to ARIEL] My tricksy spirit!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech49"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech49;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="259"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">These are not natural events; they strengthen</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="260">From strange to stranger. Say, how came you hither?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech50"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Boatswain</span></b></a><span style="mso-bookmark: speech50;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="261"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">If I did think, sir, I were well awake,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="262">I'ld strive to tell you. We were dead of sleep,</a><br />
<a href="https://www.blogger.com/null" name="263">And--how we know not--all clapp'd under hatches;</a><br />
<a href="https://www.blogger.com/null" name="264">Where but even now with strange and several noises</a><br />
<a href="https://www.blogger.com/null" name="265">Of roaring, shrieking, howling, jingling chains,</a><br />
<a href="https://www.blogger.com/null" name="266">And more diversity of sounds, all horrible,</a><br />
<a href="https://www.blogger.com/null" name="267">We were awaked; straightway, at liberty;</a><br />
<a href="https://www.blogger.com/null" name="268">Where we, in all her trim, freshly beheld</a><br />
<a href="https://www.blogger.com/null" name="269">Our royal, good and gallant ship, our master</a><br />
<a href="https://www.blogger.com/null" name="270">Capering to eye her: on a trice, so please you,</a><br />
<a href="https://www.blogger.com/null" name="271">Even in a dream, were we divided from them</a><br />
<a href="https://www.blogger.com/null" name="272">And were brought moping hither.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech51"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ARIEL</span></b></a><span style="mso-bookmark: speech51;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="273"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">[Aside to PROSPERO] Was't well done?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech52"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech52;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="274"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">[Aside to ARIEL] </span></a></div>
Zounds, hold your peace! (Iago, Othello 5.2.216)<br />
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<span style="mso-bookmark: 274;"><span style="background: lightgrey; font-family: "times new roman" , serif;"></span></span><span style="mso-bookmark: 274;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech53"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech53;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="275"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">This is as strange a maze as e'er men trod</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="276">And there is in this business more than nature</a><br />
<a href="https://www.blogger.com/null" name="277">Was ever conduct of: some oracle</a><br />
<a href="https://www.blogger.com/null" name="278">Must rectify our knowledge.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech54"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech54;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="279"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Sir, my liege,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="280">Do not infest your mind with beating on</a><br />
<a href="https://www.blogger.com/null" name="281">The strangeness of this business; at pick'd leisure</a><br />
<a href="https://www.blogger.com/null" name="282">Which shall be shortly, single I'll resolve you,</a><br />
<a href="https://www.blogger.com/null" name="283">Which to you shall seem probable, of every</a><br />
<a href="https://www.blogger.com/null" name="284">These happen'd accidents; till when, be cheerful</a><br />
<a href="https://www.blogger.com/null" name="285">And think of each thing well.</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Aside to
ARIEL</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="286"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Come hither, spirit:</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="287">Set Caliban and his companions free;</a><br />
<a href="https://www.blogger.com/null" name="288">Untie the spell.</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Exit
ARIEL</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="289"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">How fares my gracious sir?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="290">There are yet missing of your company</a><br />
<a href="https://www.blogger.com/null" name="291">Some few odd lads that you remember not.</a></span></div>
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<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Re-enter
ARIEL, driving in CALIBAN, STEPHANO and TRINCULO, in their stolen apparel</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech55"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">STEPHANO</span></b></a><span style="mso-bookmark: speech55;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="292"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Every man shift for all the rest, and</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="293">let no man take care for himself; for all is</a><br />
<a href="https://www.blogger.com/null" name="294">but fortune. Coragio, bully-monster, coragio!</a></span></div>
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<a href="https://www.blogger.com/null" name="speech56"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">TRINCULO</span></b></a><span style="mso-bookmark: speech56;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="295"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">If these be true spies which I wear in my head,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="296">here's a goodly sight.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech57"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">CALIBAN</span></b></a><span style="mso-bookmark: speech57;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="297"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">O Setebos, these be brave spirits indeed!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="298">How fine my master is! I am afraid</a><br />
<a href="https://www.blogger.com/null" name="299">He will chastise me.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech58"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">SEBASTIAN</span></b></a><span style="mso-bookmark: speech58;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="300"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Ha, ha!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="301">What things are these, my lord Antonio?</a><br />
<a href="https://www.blogger.com/null" name="302">Will money buy 'em?</a></span></div>
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<a href="https://www.blogger.com/null" name="speech59"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ANTONIO</span></b></a><span style="mso-bookmark: speech59;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="303"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Very like; one of them</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="304">Is a plain fish, and, no doubt, marketable.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech60"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech60;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="305"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Mark but the badges of these men, my lords,</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="306">Then say if they be true. This mis-shapen knave,</a><br />
<a href="https://www.blogger.com/null" name="307">His mother was a witch, and one so strong</a><br />
<a href="https://www.blogger.com/null" name="308">That could control the moon, make flows and ebbs,</a><br />
<a href="https://www.blogger.com/null" name="309">And deal in her command without her power.</a><br />
<a href="https://www.blogger.com/null" name="310">These three have robb'd me; and this demi-devil--</a><br />
<a href="https://www.blogger.com/null" name="311">For he's a bastard one--had plotted with them</a><br />
<a href="https://www.blogger.com/null" name="312">To take my life. Two of these fellows you</a><br />
<a href="https://www.blogger.com/null" name="313">Must know and own; this thing of darkness!</a><br />
<a href="https://www.blogger.com/null" name="314">Acknowledge mine.</a></span></div>
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<a href="https://www.blogger.com/null" name="speech61"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">CALIBAN</span></b></a><span style="mso-bookmark: speech61;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="315"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I shall be pinch'd to death.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech62"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech62;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="316"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Is not this Stephano, my drunken butler?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech63"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">SEBASTIAN</span></b></a><span style="mso-bookmark: speech63;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
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<a href="https://www.blogger.com/null" name="317"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">He is drunk now: where had he wine?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
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<a href="https://www.blogger.com/null" name="speech64"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech64;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="318"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">And Trinculo is reeling ripe: where should they</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="319">Find this grand liquor that hath gilded 'em?</a><br />
<a href="https://www.blogger.com/null" name="320">How camest thou in this pickle?</a></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech65"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">TRINCULO</span></b></a><span style="mso-bookmark: speech65;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="321"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I have been in such a pickle since I</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="322">saw you last that, I fear me, will never out of</a><br />
<a href="https://www.blogger.com/null" name="323">my bones: I shall not fear fly-blowing.</a></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech66"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">SEBASTIAN</span></b></a><span style="mso-bookmark: speech66;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="324"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Why, how now, Stephano!</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech67"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">STEPHANO</span></b></a><span style="mso-bookmark: speech67;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="325"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">O, touch me not; I am not Stephano, but a cramp.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech68"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech68;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="326"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">You'ld be king o' the isle, sirrah?</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech69"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">STEPHANO</span></b></a><span style="mso-bookmark: speech69;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="327"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I should have been a sore one then.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech70"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech70;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="328"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">This is a strange thing as e'er I look'd on.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Pointing
to Caliban</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech71"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech71;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
Gentlemen, all, I do suspect this trash </div>
<div class="MsoNormal">
To be a party in this injury. (Iago, Othello 5.1.85-86)</div>
<span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="332"></a></span><span style="mso-bookmark: 332;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span>
<br />
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech72"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">CALIBAN</span></b></a><span style="mso-bookmark: speech72;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="333"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Ay, that I will; and I'll be wise hereafter</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="334">And seek for grace. What a thrice-double ass</a><br />
<a href="https://www.blogger.com/null" name="335">Was I, to take this drunkard for a god</a><br />
<a href="https://www.blogger.com/null" name="336">And worship this dull fool!</a></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech73"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech73;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
But I am in<br />
So far in blood that sin will pluck on sin:<br />
Tear-falling pity dwells not in this eye. (Richard III 4.2.63-65)<br />
<div class="MsoNormal">
<span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span><a href="https://www.blogger.com/null" name="speech74"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech74;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="338"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Hence, and bestow your luggage where you found it.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech75"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">SEBASTIAN</span></b></a><span style="mso-bookmark: speech75;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="339"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Or stole it, rather.</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Exeunt
CALIBAN, STEPHANO, and TRINCULO</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech76"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech76;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
Come, stand not amazed at it, but go along with<br />
me; I will show you such a necessity in his death<br />
that you shall think yourself bound to put it on<br />
him.(Iago, Othello 4.2.239-43) <br />
[Aside to SEBASTIAN and ANTONIO] <br />
But yet I'll make assurance double sure,<br />
And take a bond of fate: thou shalt not live;<br />
That I may tell pale-hearted fear it lies,<br />
And sleep in spite of thunder. (Macbeth 4.1)<span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span>
<br />
<div class="MsoNormal">
<span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech77"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">ALONSO</span></b></a><span style="mso-bookmark: speech77;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="352"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I long</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="353">To hear the story of your life, which must</a><br />
<a href="https://www.blogger.com/null" name="354">Take the ear strangely.</a></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="speech78"><b><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">PROSPERO</span></b></a><span style="mso-bookmark: speech78;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"> </span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="355"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I'll deliver all;</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="356">And promise you calm seas, auspicious gales</a><br />
<a href="https://www.blogger.com/null" name="357">And sail so expeditious that shall catch</a><br />
<a href="https://www.blogger.com/null" name="358">Your royal fleet far off.</a></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Aside to
ARIEL</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
The devil damn thee black, thou cream-faced loon!<br />
Where got'st thou that goose look? (Macbeth 5.3.11-12)<br />
<div class="MsoNormal">
<span style="background: lightgrey; font-family: "times new roman" , serif;"><a href="https://www.blogger.com/null" name="361"></a></span><span style="mso-bookmark: 361;"></span><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">Exeunt</span></i><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span></div>
<div class="MsoNormal">
<a href="https://www.blogger.com/null" name="362"><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">EPILOGUE</span></a><span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><br />
<a href="https://www.blogger.com/null" name="363">SPOKEN BY PROSPERO</a></span></div>
<div class="MsoNormal">
<span style="font-family: "times new roman" , serif; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"></span>No, he must die. (Iago, Othello 5.1.21) </div>
Come, you are too severe a moraler: as the time,<br />
the place, and the condition of this country<br />
stands, I could heartily wish this had not befallen;<br />
but, since it is as it is, mend it for your own good. (Iago, Othello 2.3.298-301) <br />
I gin to be aweary of the sun,<br />
And wish the estate o' the world were now undone. (Macbeth 5.3) <br />
Demand me nothing: what you know, you know:<br />
From this time forth I never will speak word. (Iago, Othello 5.2.299-300) <br />
[Draws a sword, stabs self, and dies]Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-43384574695673856062018-10-10T11:52:00.002-06:002018-11-13T08:30:25.418-07:00Light and Shadows 5: Recoloration of a film snippet from high key to low keyMy series concludes with the film version: turning a brightly lit film sequence into a darkly lit one. Film noir is defined partially by the lighting.The content part of film noir features people whose mixed motives render them unsuitable for the bright and dark dichotomy of good and evil, so film noir favours shadows.<br />
<br />
In the original age of film noir, the 1940s and 1950s, black and white film stock was used for the crime and thriller genres that film noir encompasses, rather than the colour film used for musicals and other prestige features. Black and white shadows have therefore become a motif of film noir, even in <a href="https://www.theguardian.com/film/filmblog/2013/nov/29/top-10-film-noir" target="_blank">modern film noir that eschews the black and white palette</a>.<br />
<br />
Normally, light suffuses a film image. Background and foreground get lit almost as well as the actors. Commercials in particular favour well-lit images. I found a uniformally-lit public service announcement for a Depression-era campaign to raise funds for the unemployed. The presenter is <a href="https://en.wikipedia.org/wiki/Eddie_Cantor" target="_blank">Eddie Cantor</a>, a vaudevillian who successfully switched to Broadway, radio, and big and little screens.<br />
<br />
I used <a href="https://fxhome.com/express" target="_blank">HitFilm Express</a> to darken the image. I enjoyed learning about the software, but I make no claims for a great facility in putting filters on the digitized filmstock. Nor can I claim to have used actual low-key lighting. I suspect it's difficult to imitate the actual lighting technque called "low key" simply by adding and removing colours digitally. <a href="https://nofilmschool.com/2018/02/style-breakdown-how-pull-high-and-low-key-lighting" target="_blank">High-key and low-key have meanings more complex than their two-word terminology implies</a>. My self-assigned task was to alter existing film, not learn how to make a film.<br />
<br />
<br />
I used the first part of this file: <a href="https://archive.org/details/AFP-66AG_A">https://archive.org/details/AFP-66AG_A</a> <br />
<br />
<br />
Below is the altered clip (pseudo low-key):<br />
<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dz8pdIBbut8nGp4wx8X4d3dKl6kDkHw4qSFG-A47gvkSj1zcA9vebSP1cUiUP1R5yIvTTbacPBSqFZE8tfUPg' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
<br />
<br />
<br />
Eddie Cantor's cheerful voice counteracts the dark tones, I must admit. Nevertheless, the PSA brightness is gone.<br />
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<br />Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-90215614775600097292018-07-29T16:01:00.002-06:002018-07-29T16:04:39.600-06:00Light and Shadows Series: Translucent Sculpture to Opaque Sculpture: Part TwoI decided on a wire and tissue paper sculpture. My struggle to decide led me to do nothing at all for some time.<br />
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The results are underwhelming, I must admit.<br />
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White paper for light and black paper for shadow do not demonstrate much thinking, you might say. I agree. The materials took me more time than the colour, and the time I spent deciding on materials made me veer to the bleeding obvious once I had to decide on how to represent light and shadow.<br />
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I am so ready to move on to the next challenge.<br />
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Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-19318758663789359702018-05-15T16:47:00.000-06:002018-05-15T16:47:14.192-06:00CanLit The sphere of influence of Canadian literature operates around me by virtue of my place of residence and my education. Not always does a Canadian writer give off Canadian vibes, whatever those vibes might be. Canada, like many nations, comprises regional cultures and political entities, and to say one regional entity constitutes Canadianness means ignoring the uniqueness of other regional cultures. I know some Canadians resent having to read about rural life in the prairies, or pioneer life in Ontario, or urban life in Quebec, or coastal life in Newfoundland. In any event, these cliches dissolve upon close inspection. Nowadays, Margaret Atwood is the most famous Canadian writer, but not everyone knows she's Canadian: she signifies as a science fiction writer and social activist. Nevertheless, her entire corpus reflects an awareness and critique of the cliches of Canadian literature (pioneer life in Canada, urban life in Ontario).<br />
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One way to look at Canada is as a northern place whose political identity cemented itself after the humanist revolutions of Europe and, especially, the republican experiment of the United States of America. Technological innovation permitted an influx of nationalities onto its shores from all over the world; indeed, the young Canada encouraged immigration to cement its existence as a state, at first within the model of the nineteenth-century nationalism and later in the looser notion of a community of persons agreeing to identify as a group so as to participate in the globalized world.<br />
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The cultural traits of this country derive from the co-occurrrence of multiple cultures arriving within a politically designated boundary and commingling. First were the numerous indigenous peoples, whose societies were not monolithic and thus not easily roped into one category, though many Canadians have tried. Next were French merchants and farmers, and then the nations under the umbrella of the United Kingdom, itself comprising English, Scottish, and Irish peoples. Not to be underestimated is the role of American immigrants, whether the imperial loyaltists during the American war of independence or the escaped slaves and their descendents before, during and after the American war between North and South. Twentieth and twenty-first century waves of immigration have altered this nineteenth-century compendium of cultures even further.<br />
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Canadian literature reflects the country's multicultural and multilingual history and sociology. I define the literature of Canada as writings with a bent towards the art and craft of writing, rather than writing deployed primarily for the purpose of other disciplines--commerce, government, marketing, law, and scientific and technological innovation, as well as overlaps among these disciplines. <br />
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Below are some key sources of information useful to those seeking to learn more about Canadian literature and its writers. <br />
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<a href="http://canlitguides.ca/" target="_blank">CanLit Guides</a>, maintained by the scholarly journal <a href="http://canlit.ca/" target="_blank">Canadian Literature </a><br />
<a href="http://www.thecanadianencyclopedia.ca/en/" target="_blank">The Canadian Encyclopedia</a><br />
<a href="https://magazinescanada.ca/member-directory/" target="_blank">Magazines Canada </a><br />
<a href="https://www.booknetcanada.ca/blog/2017/6/13/150-bestselling-books-by-canadian-authors" target="_blank">The 150 Bestselling Books by Canadian Authors</a><br />
<a href="https://www.chapters.indigo.ca/en-ca/the-world-needs-more-canada/" target="_blank">Canadian bookseller Chapters Indigo's list of Canadian books </a><br />
<a href="http://www.cbc.ca/books" target="_blank">CBC Books </a><br />
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Here are twelve Canadian writers, a list reflecting, understandably, I hope, my own reading habits and experiences.<br />
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<a href="http://margaretatwood.ca/" target="_blank">Margaret Atwood</a><br />
<a href="https://www.alicemunro.ca/" target="_blank">Alice Munro</a><br />
<a href="https://www.penguinrandomhouse.com/authors/22801/michael-ondaatje" target="_blank">Michael Ondaatje</a><br />
<a href="https://www.lawrencehill.com/" target="_blank">Lawrence Hill</a><br />
<a href="https://scroll.in/article/842256/rohinton-mistry-turns-65-how-has-he-struck-a-fine-balance-in-his-long-journey-as-a-writer" target="_blank">Rohinton Mistry</a><br />
<a href="http://www.lmmontgomery.ca/about/lmm/her-life" target="_blank">Lucy Maud Montgomery</a><br />
<a href="https://www.sfwriter.com/" target="_blank">Robert Sawyer</a><br />
<a href="https://en.wikipedia.org/wiki/Miriam_Toews" target="_blank">Miriam Toews</a><br />
<a href="https://www.emmadonoghue.com/" target="_blank">Emma Donaghue</a><br />
<a href="http://www.thecanadianencyclopedia.ca/en/article/thomas-king/" target="_blank">Thomas King</a><br />
<a href="http://www.leonardcohen.com/" target="_blank">Leonard Cohen</a><br />
<a href="https://robertmunsch.com/" target="_blank">Robert Munsch</a><br />
<br />Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-90564880608944181422018-04-16T09:51:00.002-06:002018-04-16T09:51:30.767-06:00Light and Shadows Series: Translucent Sculpture to Opaque Sculpture: Part OneMy challenges with this project expanded geometrically the more I thought about it. I did not want to alter the appearance of someone else's sculpture for the sake of moral creative rights (the rights of a creator over the use and re-representation of it). I recently attended a talk on Canadian copyright laws, and I am not in the mood to transgress a creator's copyright or patent (as the case may be).<br />
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As a result, I faced the prospect of creating a translucent sculpture myself. I have not, however, ever created a sculpture, translucent or otherwise, beyond, I suppose, the occasional papier-mache piece, such as my pencil holder and, years ago, a papier-mache pinata shaped like the Death Star for my then young-son's birthday party.<br />
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I decided not to get cutesy with the definition of sculpture, such as considering a poem or short story to be a word sculpture. A sculpture is a work of art in three physical dimensions, I told myself firmly.<br />
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Not being someone who steers away from a Quixotic battle (e.g., PhD in English literature), I did some research into translucent or transparent media suitable for sculpture. Using the internet, of course, I came up with the following possibilities:<br />
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<a href="http://tapesculpture.org/gallery.html" target="_blank">tape</a><br />
<a href="https://www.holstengalleries.com/about-glass-art/" target="_blank">glass</a><br />
<a href="http://www.thecoolist.com/coolest-wire-sculptures/" target="_blank">wire</a><br />
<a href="http://www.neighbrookproductions.com/" target="_blank">clear (translucent) resin</a><br />
<a href="http://www.balloon-decoration-guide.com/martini-glass-sculpture-made-out-of-balloons.html" target="_blank">balloons</a><br />
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I had a balloon animal phase when my son was younger (the same time I was making Death Star pinatas), so that medium at least I can say I have experience with. The resin method has the best transferability from translucent to opaque, however, since I can use the same mold to make two different pieces, one translucent and one opaque. Glass can be painted over, as I suppose, can balloons.<br />
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I have some decisions make. Stay tuned for Part Two.Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-74995970370182892892018-03-29T19:29:00.000-06:002018-03-29T19:29:02.157-06:00Shadows and Light: Positive connotations to negative connotationsMy Shadows and Light project leads to a medium much more familiar to me: words.<br />
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The Diction Switch up stage, the third in the series, involves changing a section of writing so that words with positive connotations are replaced with synonyms with negative or "tragic" connotations.<br />
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A connotation is a meaning of a word that implies or suggests an attitude or moral stance, as opposed to the denotation of a word, which is more like a dictionary definition. For example, a woman can be a lady, a broad, a dame, a dyke, a wife, a harlot, a female, a mother. Although these terms have a similar referent (a female human) at their cores, some of these words have positive associations, while others have negative associations, while others have neutral or mixed (both, either/or) connotations depending on the context and on the speaker or audience. The exercise asks not to substitute entirely new denotations of a word but instead to switch to a word with the same general denotation but with negative connotations.<br />
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I am choosing two origin texts: one is someone else's writing, and the other is mine. For the exericse to work, the words in the original must already lean
towards having positive denotations and connotations, or else the switch will not be
noticeable. Finding phrases with positively denotated words is not that hard when it comes to someone else's writing: some many good poets write about more or less happy topics. The hard part is my own writing, since I am not prone to avoiding ideas and words with negative connotations.<br />
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I. Poem by Another Writer<br />
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Original: <a href="https://www.poetryfoundation.org/poems/47339/upon-julias-clothes" target="_blank">"Upon Julia's Clothes" by Robert Herrick (1591-1674)</a><br />
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When as in silks my Julia goes,<br />
Then, then (me thinks) how sweetly flows<br />
That liquefaction of her clothes.<br />
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Next, when I cast mine eyes, and see<br />
That brave vibration each way free,<br />
O how that glittering taketh me! <br />
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My notes:<br />
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I aspired to keep the basic sense but also the meter and rhyme scheme--iambic tetrameter in rhyming triplets--but I decided to allow myself to deviate as I desired from the language and culture of a seventeenth century Devonshire vicar, such as Herrick was.<br />
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Revision: Julia in Shadows <br />
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When in burlap my Julia flees,<br />
Then (I brood) how achingly speeds<br />
The transformation of her guise.<br />
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Later, when I wince at the futility<br />
of her swings at fate, the memory<br />
of her glares steals peace from me.Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-65711734811019239242018-01-25T09:32:00.004-07:002018-03-08T11:45:35.122-07:00Major Light, Minor Shadows: Changing a Song from Comedy to Tragedy, Part TwoI did my transposition from comedy (major) to tragedy (minor), as discussed in <a href="https://mimeticcapitol.blogspot.com/2017/12/major-light-minor-shadows-changing-song.html" target="_blank">my January post</a>.<br />
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Here is my <a href="https://drive.google.com/open?id=1HEhg6nvFXZShBBYp-1q_Z3BFmGxAMfBu" target="_blank">original "Walk on By."</a><br />
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My playing is yikes!, I know. <br />
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Below is my transposition from the original G major key to the G natural minor key. The transposition to a natural minor lowers the third, sixth and seventh degrees one half-tone.<br />
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That is, where once there was E, B and F# is now Eb, Bb, and F.<br />
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The A section<br />
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G A B A B A B G C C B B B A G A G A G A F# C C B becomes<br />
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G A Bb A Bb A Bb G C C Bb Bb<b> </b>Bb A G A G A G A F C C Bb<br />
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And the B section <br />
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E E D E D B B B A A A A G B D E E E F# D B B B A A A B A D becomes<br />
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Eb Eb D Eb D Bb Bb Bb A A A A G Bb D Eb Eb Eb F D Bb Bb Bb A A A Bb A D<br />
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The accordion playing me does not do left hand chords well. On accordions, chords are built into single buttons.<br />
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Writing everything down helps me. <br />
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D D C G D D<br />
B A G E B A <br />
G F# E for Major Key A section C G F# for Major Key B section leads to<br />
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D D C G D D<br />
Bb A G Eb Bb A<br />
G F Eb for Minor Key A section C G F for Minor Key B section<br />
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<a href="https://drive.google.com/open?id=13H5s_zCwlteA78Gqeg8Lx6OuSCOHP-CG" target="_blank">Below is my playing of the tragic version of "Walk on By" </a>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-54719262847390959782018-01-25T09:00:00.000-07:002018-01-25T09:00:03.001-07:00Edmonton: Unbound book launch<a href="https://bradohinc.com/2017/11/26/edmonton-unbound-another-anthology-by-edmonton-writers/" target="_blank">Edmonton: Unbound</a> is a new book published by my writer's group, the <a href="http://edmontonwritersgroup.blogspot.ca/" target="_blank">Edmonton Writers Group</a>. Our launch was on Sunday, January 8, at Edmonton Public Library's Enterprise Square branch, the temporary home of the main downtown branch while the downtown library is under renovation.<br />
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All the stories are set in Edmonton. Not surprisingly, <a href="https://www.edmonton.ca/programs_services/recognition_awards/talus-dome.aspx" target="_blank">The Talus Dome </a>inspired two of the stories.<br />
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As was the case for EWG's previous book, <a href="https://www.amazon.ca/Between-Shelves-Tribute-Libraries-Edmonton/dp/1508469814" target="_blank">Between the Shelves,</a> all proceeds go to <a href="https://www.epl.ca/" target="_blank">Edmonton Public Library</a>.<br />
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<a href="https://www.amazon.ca/Edmonton-Unbound-Another-Anthology-Writers/dp/1978256574" target="_blank">The book is for sale at Amazon</a>. Getting in touch with Edmonton Writers Group (or with me, for that matter) can also get you a copy.<br />
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<a href="https://bradohinc.com/2018/01/07/interview-with-edmonton-unbound-author-brian-clark/" target="_blank">Brad OH Inc has posted interviews </a>with the authors. I am among one of those authors. My contribution to the anthology is called "The Lot." <br />
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<br />Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-84781340840947736432017-12-29T14:37:00.000-07:002017-12-29T14:37:13.859-07:00Major Light, Minor Shadows: Changing a Song from Comedy to Tragedy, Part OneYears ago on a CBC Radio 2 show, the host Tom Allen played a transposition of REM's "Losing My Religion," written in a minor key, <a href="https://vimeo.com/57685359" target="_blank">into a major key.</a> Tom giggled, and so did I. Long ago I took some music theory, and I remembered transposing melodies from one key to another, and I remember learning about the different modes of western music with exotic names like Dorian, Lydian, and Mixolydian.<br />
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Scholarly journals such as <a href="http://www.apa.org/pubs/journals/pmu/" target="_blank">Psychomusicology </a>and <a href="http://mp.ucpress.edu/content/about" target="_blank">Music Perception</a> operate on the assumptions that music and mind have a relationship and that the scholarly study of such a relationship is worthwhile. Neurologist Oliver Sacks wrote a book, <a href="https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/" target="_blank">Musicophilia,</a> about the ways that music perception is influenced by neurological conditions. <br />
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The idea that a specific key can have a specific meaning and emotional effect is something that western composers took for granted, at least until the twentieth century, when the idea of keys were called into question. Beginning in the eleventh century, western musical theorists associated different modes with different emotions, though the different theorists didn't necessarily agree (Temperley and Tan 239). <span style="color: #2d0912;">Rita Steblin in </span><i style="color: #2d0912;">A History of Key Characteristics in the 18th and Early 19th Centuries </i><span style="color: #2d0912;">gives examples of these emotion-key mappings. Here is <a href="http://www.wmich.edu/mus-theo/courses/keys.html" target="_blank">one specific scheme</a> in </span><span style="color: #2d0912;">Christian Schubart's </span><i style="color: #2d0912;">Ideen zu einer Aesthetik der Tonkunst</i><span style="color: #2d0912;"> (1806), where, for example, C major connotes "</span><span style="color: #2d0912;">innocence, simplicity, naïvety, children's talk" and F# Minor, the "</span><span style="color: #2d0912;">gloomy key," "tugs at passion as a dog biting a dress. Resentment and discontent are its language."</span><br />
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David Temperley and Daphne Tan of the Eastman School of Music did research whose aims and conclusions are nicely summarized in the article's title, "Emotional Connotations of Diatonic Modes" (DOI 10.1525/mp.2012.30.3.237) published in <i>Music Perception</i> in 2012. on the emotional reactions of non-musicians on hearing pairs of same melody written in two different <i>modes</i>, specific patterns of whole tones and half tones.<br />
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The mode most people call the major key is in the exotic naming I learned as a teenager called Ionian, while the Aeolian mode is similar to the type of minor key called descending melodic minor (Temperley and Tan 238). According to tradition, the major key has positive connotations and the minor key has negative connotations (Temperley and Tan 239).<br />
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In their acknowledgement of their predecessors in the study of music and emotions, Temperley and Tan make the distinction between perceived emotion and felt emotion. A song may <i>sound </i>sad, but the listener may nevertheless <i>feel </i>happy when they hear it (239). For example, I feel happy when I hear the song <a href="https://www.youtube.com/watch?v=44B6B1OycgI" target="_blank">"Tennessee Waltz"</a> by <a href="https://countrymusichalloffame.org/Inductees/InducteeDetail/pee-wee-king" target="_blank">Pee Wee King</a> and <a href="https://www.allmusic.com/artist/redd-stewart-mn0000384334/biography" target="_blank">Redd Stewart </a>because I think the melody is beautiful, but the song sounds sad to me, perhaps because I am influenced by the lyrics, or perhaps for another reason.<br />
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Thus a few difficulties arise with my experiment to add "shadow" to a song that seems "light." What do I want to do: make a song that sounds "tragic" or a song that makes me feel "tragic"? Besides that distinction, what is it that a song must to be "tragic"? In their research, Temperley and Tan asked participants to classify songs on how they sounded, rather than how the songs made them feel. They also simplified the categories of emotional reaction to two: happy and sad.<br />
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Temperley and Tan's participants were fairly consistent with their categorizations. They identified the Ionian mode, the familiar major key, as "happy." That result confirmed Temperley and Tan's prediction. Ionian mode is extremely familiar to begin with in popular music, for one thing, so they result may come from the comfort afforded to something familiar. As for the results generally, Temperley and Tan acknowledged that, generally speaking, modes considered to be "far away" from Ionian were classified as "sad." The researchers noted, however, that the nonmusicians were quite able to distinguish between different modes, despite their lack of music training, and that familiarity with certain modes that often used in popular music, did not explain their preference for some modes over others, beyond their shared preference for Ionian mode (the major key). The researchers played six di<span style="font-family: inherit;">fferent modes (<span style="color: #333333;">Lydian, Ionian, Mixolydian, Dorian, Aeolian, and Phrygian) </span>o</span>f the same melody, and reactions to the modes suggested that the participants had the ability to distinguish them, to the point that participants' reactions to a specific mode was fairly consistent. Participants didn't necessarily prefer modes that should be more familiar, either. Temperley and Tan wondered if a mode that sounded "sharper" than others made people sense it as sadder.<br />
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For my experiment, I have only myself and my limited musical abilities (two years' worth of music theory and several years, long ago, of accordion lessons). I read and listened <a href="https://music.tutsplus.com/tutorials/an-introduction-to-modes--audio-4158" target="_blank">to a good tutorial of the modes</a>, and then I decided to play around with Audacity, a free music editing program.Audacity can certainly change pitches, but it can't autogenerate a transposition such that some notes are dropped by a semitone while others remain as it. I frankly was hoping for autogeneration.<br />
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The easiest thing, at least for my talents, to do is to take a tune I know and transpose it myself. As part of my novelty year (which I have posted about), I wrote a tune called "Walk On By." It is in G major. My goal, then is to transpose it to a minor key and see what happens. I am tickled by the list of keys and emotions on <span lang="EN-US">David
Loberg Code's website, so my plan is to transpose my G major tune to G minor, which Christian Stubart describes as "</span><span lang="EN-US">Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike." To me, this characteristic is close to what tragedy often derives from: a plan to ameliorate one's condition through a plan that ultimately fails.</span><br />
<span lang="EN-US"><br /></span>
<span lang="EN-US">That transposition will take me some time to do. </span>Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-37190764927967960452017-11-27T12:40:00.000-07:002017-11-27T12:43:29.943-07:00Shadows and Light<div style="text-align: left;">
My first "change of lighting" experiment will use a photograph that I have taken. Some time ago I bought a decent digital camera, and I have been taking photos as a way to expand my creative output and stretch those creative muscles.</div>
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I selected a bright photograph and changed its lighting digitally to create a comedy/tragedy pairing from the same image. The experiment will involve me making a formal change and see what "content" changes result. </div>
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Before I select a technique, I must decide what I mean by comedy and tragedy. I look at these words in terms of drama, particularly Greek drama and its re-uptake in Renaissance drama. </div>
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Comedies begin with disorder and end with harmony. In comedic drama, the initial disorder derives from scenarios such as mistaken identity, ambitious goals that are poorly planned or that fall victim to the unpredictability of human will, or protagonists trying to mitigate their powerlessness against antagonists and making mistakes as a result. Eventually, the problem is solved and the disorder is halted.People reveal their true identities, goals are achieved, and the powerless gain power over the antagonists: they convince antagonists to release their hold or they usurp the antagonists and take their power away. Marriage is the traditional outcome of comedy. In Shakespeare's comedies, three or even four couples will become engaged. Dancing and music signals the good social relations that arise when people learn to get along and be fair and honest with each other.</div>
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Tragedy is the reverse of comedy in some ways. In tragedy, protagonists pit their will against the world. The desire to achieve goals creates disorder, at first only in the community, but later in the protagonists themselves. The protagonist's goals are destructive and selfish even if the goals didn't start out that way. A good person may get bad advice from a bad person (think of Othello and Iago), or a good person may be put in a bad situation that the good person cannot full rise to the occasion to combat (think of Hamlet), or the community as a whole is to blame for harming good people (as in Romeo and Juliet). Death and disintegration signal a tragedy, but not all death is tragic. Death in tragedy is unnecessary and wasteful rather than natural. Even if the community rights itself after the death, the sense is that the deaths were unnecessary. </div>
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My pairing will attempt to show this contrast between comedy and tragedy through lighting. In the term "lighting" I include colour, since colour is an aspect of lighting.</div>
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What does light change do in a photograph? I looked at a book on photography called <a href="https://www.amazon.ca/Stoppees-Guide-Photography-Light-Photographers/dp/0240810635" target="_blank">Stoppees' Guide to Photography and Light </a>to see what I could do. I learned that in photography, light can emphasize some details over others, whether positively (increased light on an area) or negatively (decreased light on an area). Some lighting seems more familiar and thus natural or normal. Darkness created by shadows and dark backgrounds obscure details and create a sense of depth (complexity) or danger (lack of knowledge about the subject). </div>
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Colours also play a role in what a photography can seem to mean. Bright colours tend to be seen positively, but colours that are too bright for the subject at hand or are an unusual shade or tint create unease. </div>
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My goal, then is to create a sense of unease by using colours that are unnaturally bright or tinted an unnatural colour but that are accompanied by heavy shadow. I also want to emphasize unusual details that seem off-putting or somehow "incorrect."</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNehAtpRHkbUVKqJoGnuV16lNe5ObZjVGOlXxZKlJvYxac_lqEuoZHcwKqtyx_LWOC5Q2bjMZtXb8PKgGdtG-W-3lA1X1DP3fiWkfVnTusw_Lz_mUtY2aMBEkQcKAtE6q9iz6ph6OOWPg/s1600/comedy.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNehAtpRHkbUVKqJoGnuV16lNe5ObZjVGOlXxZKlJvYxac_lqEuoZHcwKqtyx_LWOC5Q2bjMZtXb8PKgGdtG-W-3lA1X1DP3fiWkfVnTusw_Lz_mUtY2aMBEkQcKAtE6q9iz6ph6OOWPg/s640/comedy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Comedy</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_uoKDW1pAEH1yPohZbFpnta69pwgsxGDkC1Q_lPte9bRmyJWfWcaUDG14TyAxticCNm3PLxntRsC-KbtpVGfhRTXkZb5HAHCt9zhJvAdZP-Qd_PjK5-wiltnILdTe1eK3NUVKZTjqn1k/s1600/tragedy.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_uoKDW1pAEH1yPohZbFpnta69pwgsxGDkC1Q_lPte9bRmyJWfWcaUDG14TyAxticCNm3PLxntRsC-KbtpVGfhRTXkZb5HAHCt9zhJvAdZP-Qd_PjK5-wiltnILdTe1eK3NUVKZTjqn1k/s640/tragedy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tragedy</td><td class="tr-caption" style="text-align: center;"></td></tr>
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I chose a bright photo of a bridge in my city that crosses the North Saskatchewan River. Using photoeditng software that came with my camera, I changed the photo to emphasize the posts of the bridge rather than the span. I decided to keep the colour in the tragedy photo instead of using heavily shadowed black and white, an obvious choice for tragedy. I chose filters that minimized contrasts and maximized shadows. The image is tinted an unnatural blue-green, the river is too bright a blue, and the sky is nearly white, as though something bright has just exploded in the sky. I wanted the shadow under the bridge to seem darker.<br />
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The result may not seem obviously "sad" but I didn't want to go with simply sad. I wanted some eeriness as well. Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0tag:blogger.com,1999:blog-3060627603618080107.post-52160879481854012082017-10-16T10:44:00.001-06:002017-10-16T10:44:03.169-06:00A Change of LightingThe next few entries will be inspired by the following excerpt from Thomas Mann's <i>Doctor Faustus</i>:<br />
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"We might laugh, but there was no amusement in the virtuous roar that went up from a stunned world at this execution of a cut-and-dried plan of campaign, knowledge of which had long been public property. However, I saw that our host liked this line much better and was glad of the chance to laugh, so I willingly joined in, not without recalling what Plato had said of comedy and tragedy: how they grow on the same tree and a change of lighting suffices to make one into the other" (Chapter 30, 295)<br />
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I am going to try to change the lighting for some works of art to see what happens. "What happens" means "assessment or analysis," and I know that my assessment will differ from other people's.<br />
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1. Change of "Lighting" on a photograph from shade-busting to shade-enhancing.<br />
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2. Transposition from a major key to a minor key.<br />
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3. Diction Switch up from positive connotations of a word to a negative connotation.<br />
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4. Translucent sculpture into an opaque sculpture.<br />
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5. Recoloration of a film snippet from high key to low key.<br />
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6. Recasting of a short play so good guys are bad guys (but with the same dialogue)Vivianhttp://www.blogger.com/profile/05172057814313064207noreply@blogger.com0